John Cusack opened up about why he’s largely taken a step back from Hollywood.
The “Being John Malkovich” star, 60, said he wanted to tell stories without studio executives weighing in, prompting him to write his upcoming graphic novel “Momo.”
“I always thought [graphic novels] were the closest things to film, really,” he told Variety at San Diego Comic-Con on Friday. “You’re picking out shots, they’re so cinematic.”
Cusack explained he turned to writing because he “didn’t [want to] negotiate telling a story.”
“When you ask somebody to put $20 million or $30 million into a bank account [for a film], they want to have an opinion and they’re afraid and all that stuff,” he said.
Instead, he teamed up with illustrator Ignacio Noé to create “Momo” on their own terms.
“This was just like, I wrote it, and I said, ‘I like the story,’ and then I got this beautiful, wonderful artist, Ignacio Noé, to do the illustrations and so nobody edited anything I wrote or that he drew,” Cusack said.
“So it’s really a piece of work that was just done by two people. It was just me and Ignacio’s story, and that doesn’t happen today.”
“There’s no bull, and there’s no committee. There’s no computer up in Seattle that’s poll testing it,” he added.
“Momo” — Cusack’s first graphic novel — is set to be released on Sept. 29.
The story follows two fugitives in 1972 who set out to recover an ancient artifact for TV icon Jackie Gleason.
The actor spent decades as one of Hollywood’s most recognizable leading men, starring in “Grosse Pointe Blank,” “High Fidelity” and “Con Air,” but his acting career has become increasingly selective in recent years.
He appeared in the 2025 films “Fog of War” and the Mandarin-language film “Detective Chinatown 1900” after starring in the Chinese espionage thriller “Decoded” in 2024.
Before that, his only screen credits since 2020 were the action thriller “Pursuit” and Amazon’s dystopian series “Utopia.”
Cusack has been outspoken about the state of Hollywood for years.
“My friend Joe Roth ran Disney [until 2000],” he told the Guardian in 2014. “He made things like ‘The Rock’ and ‘Con Air’ to make shareholders happy, but then he also gave six or seven slots to people he liked.
“I got to make ‘High Fidelity’ and ‘Grosse Pointe Blank.’ Spike Lee got to make ‘Summer of Sam.’ Wes Anderson got to make ‘Rushmore.’ I had that memory of film and that’s gone.”
“Now it’s six for them — with a committee cutting the film who weren’t part of making it – and maybe one for you,” he added.
Cusack isn’t the only member of his family to step away from the spotlight.
His older sister, actress Joan Cusack, 63, made her first red-carpet appearance since 2015 in May when she attended the London premiere of “Toy Story 5,” ending an 11-year absence from public events.
“I feel so honored to have worked in this industry for a long time,” the actress told Variety in June. “But it’s also great to live your life and raise your kids and be in Chicago and be a normal person.”
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