Even prior the pandemic, Technicolor was developing a new mobile post suite app called TechStream, because remote color timing and sound mixing — particularly for episodic TV — had become ...
Weta Digital, which recently launched an original animated content division, has partnered with Avalon Studios and Streamliner to create a new LED-stage virtual production service, based in Wellington, New Zealand. ...
Thanks to “Game of Thrones,” there’s no longer a gap in visual effects quality between high-end features and episodic TV, despite disparities in budgets and schedules. The HBO landmark fantasy-drama ...
There’s been so much mythology surrounding “The Mandalorian’s” Baby Yoda (The Child), thanks to co-star Werner Herzog’s outspoken support of the puppet, that it’s hard to determine what’s practical or ...
When it came to the world building of “Star Trek: Picard” on CBS All Access, production designer Todd Cherniawsky embraced a completely different set of challenges and opportunities than those ...
In Season 3 of Netflix’s “Stranger Things,” the Mind Flayer from the Upside Down returns with a vengeance. The Duffer Brothers knew they needed more complex CG animation to pull ...
How do you craft a mythical hit single from 1959? That was the challenge for songwriters Thomas Mizer and Curtis Moore (“For The Love Of Tiffany”), who were tapped by ...
The UK film and TV industry can resume shooting as early as July, which is great news for completing “The Batman,” thanks to the release of new safety guidelines covering ...
Chris O’Falt has been promoted to the new role of Deputy Editor, Film & TV Craft, a move that reflects IndieWire’s increasing commitment to coverage of the creators, crews, and ...
While production has been halted during the lockdown, virtual production is saving the industry, thanks in large part to the real-time and VR innovations of Jon Favreau’s “The Lion King” ...
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