You know him as Jim, the sidekick in “Adventures of Huckleberry Finn.” He’s an enslaved Black man who finds himself fleeing down the Mississippi River with Huck, as both attempt to reach very different types of freedom. Along the way, Jim is teased, duped, subjugated and otherwise maligned, in part because of Huck’s penchant for trickery and in part because of the mechanisms of slavery and racism in the American South in the 1800s.
Though Jim’s plight is harrowing, he’s not the star of this Mark Twain classic; he’s relegated to a variety of supporting roles, including comic relief, deus ex machina and agent for Huck’s moral awakening.
Now allow the novelist Percival Everett to reintroduce him. In Everett’s latest book, “James,” Jim becomes, you guessed it, James. The broad strokes of Twain’s character are still there — James is still an enslaved man who runs away after he hears that his master is going to sell him. But in Everett’s hands, James is no longer a helpless companion. Now, he’s a remarkably smart linguist, reader, writer and philosopher who is forced to play dumb for survival but is actually fighting for his family, freedom, dignity, self-determination and the right to tell his own story.
For this month’s Book Review Podcast book club, we’re chatting about “James,” by Percival Everett. The discussion will air on May 31, and we’d love for you to join the conversation. Share your thoughts about the novel in the comment section of this article by May 22, and we may mention your observations in the episode.
Here’s some related reading to get the conversation started:
Our critic Dwight Garner’s review of the novel: “What sets ‘James’ above Everett’s previous novels, as casually and caustically funny as many are, is that here the humanity is turned up — way up. This is Everett’s most thrilling novel, but also his most soulful.” [Read the full review here.]
Our critic A.O. Scott’s notebook about “James,” “Demon Copperhead” and reimagined classics: “For Everett’s James, his own humanity is not in doubt, but under perpetual assault. His relationship with Huck takes on a new complexity. How far can he trust this outcast white boy? How much should he risk in caring for him? To answer those questions would be to spoil some of Everett’s boldest and most brilliant twists on Twain’s tale.” [Read the full critic’s notebook here.]
Norman Mailer’s 1984 essay for The New York Times, about rereading “Adventures of Huckleberry Finn” for the novel’s 100th anniversary: “Classics suffer by their distance from our day-to-day gossip. The mark of how good ‘Huckleberry Finn’ has to be is that one can compare it to a number of our best modern American novels and it stands up page for page.” [Read the full essay here.]
Revisit our March book club discussion of Percival Everett’s 2001 novel “Erasure,” which was recently adapted into an Oscar-nominated film: “I love watching his mind on the page. He’s funny, he’s irreverent, he’s sarcastic. There’s nobody that writes like him. And I have to tell you that ‘Erasure’ totally blew me away, just because of the sheer number of textures in this book.” —Joumana Khatib, Book Review editor. [Listen to discussion here.]
We can’t wait to discuss the book with you. In the meantime, Happy May and happy reading!
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