Aubrey Plaza’s New Play Is a Baffling Disaster
Ethan Coen’s Let’s Love! wins the award for the most curiously titled play of the year thus far. The trio of one-act plays that comprise the piece (Atlantic Theater Company, ...
Ethan Coen’s Let’s Love! wins the award for the most curiously titled play of the year thus far. The trio of one-act plays that comprise the piece (Atlantic Theater Company, ...
The use of video and screens on stage has become a major bugbear for theater audiences. Often introduced for some jazziness in a show, they too often prove to be ...
(Warning: Spoilers ahead!)This cursed year is drawing to a close, but at least Kathy Bates’ charmingly formidable lawyer Madeline “Matty” Matlock is back on TV. As her character’s quest for ...
Following the big swings of his first two directorial efforts, A Star Is Born and Maestro, Bradley Cooper dials it back and loosens up with Is This Thing On?, an ...
No one directs a movie like Park Chan-wook (Oldboy, The Handmaiden, Decision to Leave), and the South Korean auteur puts on a master class of lithe, silky, sumptuous storytelling with ...
For her third straight streaming effort, Keira Knightley is a crusading journalist cosplaying as Miss Marple in The Woman in Cabin 10, a whodunnit whose mystery will be quickly solved ...
Late into Boots, two young Marine recruits joke about how, when you think about it, military culture is pretty damn gay. Spending all day surrounded by literal swinging d---s? Check. ...
The Chair Company is, in many respects, the ultimate Tim Robinson vehicle: a collection of the star’s favorite fixations that invariably devolves into deranged, hostile madness. Although an eight-episode half-hour ...
Bryan Bertino is horror’s most unsung auteur—a director whose command of tone, pacing, and unnerving, suggestive visual storytelling is matched by few. With The Strangers, The Monster, and The Dark ...
Tron has always been a style-over-substance franchise.Its narrative gobbledygook about digital realms—which has only grown more outdated and nonsensical since the initial 1982 film—was overshadowed by its arresting computerized imagery ...