A month before our December awards vote, the Los Angeles Film Critics Assn. launches a group email thread for members to advocate for their favorite films and standout work. The ...
With his latest film, Tim Fehlbaum wanted to find a way to add to our understanding of a horrific moment in history that he first learned of as a teenager ...
When “The Room Next Door” premiered at the Venice Film Festival in early September, the rapturous audience gave director Pedro Almodóvar and his two stars, Tilda Swinton and Julianne Moore, ...
The good news: None of the predictions I made in last year’s annual Gustradamus columna came true. If any did, it would have been a sign that the apocalypse is ...
More films shepherded by directors who grew up outside of the U.S. may be getting nominated for best picture these days, but those that go on to win the coveted ...
The architectural wonder of writer-director Brady Corbet’s 215-minute postwar immigrant epic “The Brutalist” astonishes onscreen. The ambitious spectacle, which follows László Toth (Adrien Brody) chasing his American Dream, only to ...
No two filmmakers travel the same path to their chosen profession. RaMell Ross has traveled one unlike that of almost anyone else to direct his lauded feature debut, “Nickel Boys.” ...
When Adam Pearson was young, he rubbed elbows with celebrities. “I was at Great Ormond Street Children’s Hospital, one of the best pediatric institutes in the world,” he recalls of ...
Pablo Larraín practically sings when he talks about music. He was listening to John Coltrane on his walk over to the Beverly Hills Four Seasons to chat with The Envelope ...
A column chronicling events and conversations on the awards circuit As the town starts to shut down for Christmas break next week, fear not. The Oscar Season remains in full ...
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