I am standing on what looks like a cramped, dark city street. A tavern is around a corner, a police department in front of me. And I’m lost.
That’s when I hear a whisper. “Psst.” I turn, and see a puppet peeping his head out of a secret opening of a door. Over here,” he says, and I find myself leaning in to listen to this furry, oval-faced creature in the shadows. He’ll help me, he says — that is if I can clear his name. See, another puppet has been murdered, and everyone right now is a suspect.
I am playing a gamed called “Election Day” at Appleseed Avenue, a relatively new escape room in a multi-story strip mall in Newhall. The puppet world is in the midst of a crisis, torn over whether humans should be allowed to wander the fictional street of Appleseed Avenue. My role is that of a detective, and throughout this game of fatal political espionage, I encounter multiple puppet characters — electricians, would-be-mayors, gangsters, dead puppets.
Drama ensues, and that’s where we humans come in, helping the puppets crack the case before we’re banned from their world once and for all. One needn’t be up on the state of puppet politics to participate — and don’t worry, the domestic affairs of Appleseed Avenue are relatively divorced from those of our own. Only a penchant for silly absurdity, and a stomach for puppet-on-puppet violence, is required.
While the look of the puppets may be inspired by, say, “Sesame Street,” with characters that are all big mouths and large eyes, the tone of “Election Day” leans a bit more adult. Recommended for ages 13 and older, “Election Day” will feature puppets in perilous conditions. And if you’re playing as a medical examiner, be prepared to get a glimpse at a mini puppet morgue.
“Sometimes people do think, ‘Oh, this is for little kids.’ Not quite,” says Patrick Fye, who created the experience with Matt Tye. “We call it PG-13.”
“We wanted that dichotomy,” says Tye. “Really silly puppet-y characters in a gritty world.”
Fye and Tye are veterans of the local escape room scene — Fye the creator of Evil Genius Escape Rooms and Tye the developer of Arcane Escape Rooms. “Election Day,” however, while a timed experience, isn’t a pure escape room. Think of it more as a story that unfolds and needs solving. We’re not trapped. In fact, one puzzle actually utilizes the waiting room, as “Election Day” toys with the idea of traversing the human world and a puppet universe.
Puppets weren’t necessarily the driving idea behind their joint venture in Appleseed Avenue. Creating a so-called escape room that was more narrative based was the objective. They wanted a room, for instance, where puzzles felt natural rather than forced. “Election Day” isn’t a space, say, with complex cipher codes to untangle. I was reminded of old-fashioned adventure video games, where one is prompted to look at objects, combine them or go on scavenger hunts, like the one prompted by the puppet I met in an alley.
Puppets were simply a means to an end.
“How can we make something that feels like you’re actually in the story and has more video game-y elements, as opposed to, ‘I’m in an Egyptian tomb. Here’s a padlock,’ ” says Fye. “We were trying to figure out how to mix the diegetics with the overall design. We stumbled on crimes and puppets because we thought it was fun and funny.”
One problem: Neither had created puppets or puppeteered before. Enter online classes, where Tye learned how to craft arm-rod puppets.
“We thought it was the coolest idea we had,” Tye says. When we both look at something and go, ‘We don’t know how to do all of this yet,’ we don’t let that stop us.”
“Election Day” does unfold like a live-in video game. At times, we’re interacting with a screen, as puppets will relay us messages and quests. Often, we’ll explore the space, as the two have created an elaborate set. Teams are split. Half work as detectives, and half as medical examiners. We can communicate via an inter-room conference system, or simply run back and forth.
But listening to everything the puppets say is paramount, as clues are often hidden in dialogue. Both say they have done too many escape rooms where the story felt too divorced from the actions they were being asked to complete.
“We even say at the beginning of the game, ‘The story really matters.’ You have to pay attention to it,” Fye says. “There’s a moment I’ll never forget. We were doing a Titanic room, and we were in the engine room shoveling coal. But isn’t the ship sinking? What is happening? A lot of times a story is just set dressing.”
The initial response to “Election Day” has been positive, so much so that the two are set to debut a second game in 2026, a sci-fi room titled “Shadow Puppet.” The latter will utilize the same Appleseed Avenue set, although additional spaces will be built out. They’re also looking at some more kid-friendly options. Planned for 2027 is a game titled “Puppet Town Day,” in which little ones will receive passports that prompt them to interact with the puppet characters.
For now, however, think of Appleseed Avenue as part of greater Los Angeles escape room trend. Whether it’s Hatch Escapes with its corporate time-jumping game “The Ladder” or Ministry of Peculiarities with its spooky haunted house, creators here are emphasizing story. Appleseed Avenue is no different, introducing us to a wacky cast of puppet characters.
It also achieves a rare feat: It makes murder feel ridiculous.
Says Tye: “When there’s a guy named Alby Dunfer who’s getting it from a blowdart from a hitman, it’s like, ‘OK, this is fun.’ ”
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