In 1986, my most prized possession was a little pink phone message slip written by a hotel clerk.
“Miss Dowd,” it read, “Robert Redford called. He’s at the same number as last night.”
I’d never met Redford, but that piece of paper was a magic portal to all kinds of pink-cloud fantasies. I stuck it up on my cubicle in the Washington bureau of The Times and gazed at it whenever I needed a lift.
Then, one night, the bureau chief went on a crazed cleaning campaign and sent a crew in to throw out every stray piece of paper around our desks.
I came in the next morning and my beloved message was gone.
I had called Redford to interview him for a Times Magazine profile on Paul Newman. Often, movie stars won’t talk about other movie stars (it’s not about them!); Joanne Woodward wouldn’t even talk to me about her husband for that piece.
But Redford was happy to talk about his pal. When I heard that famous voice on the phone, I said: “Wait a minute, let me get a pen and pencil. I mean, a pen and pen. No, a pen and paper.”
He just laughed, accustomed to women getting flustered.
I heard from someone on his team about seven years later. Redford wanted to offer me a role in a movie he was directing called “Quiz Show.” It was just one line — “Excuse me, are you the son?” — uttered by a woman who’s at a book party trying to chat up Ralph Fiennes’s Charles Van Doren, the fraudulent quiz whiz and son of the renowned Shakespearean scholar Mark Van Doren.
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The post The Way They Were appeared first on New York Times.