MEXICO CITY (AP) — Every Sept. 19, residents of ask themselves an unsettling question: “Is the ground shaking?”
On that day 40 years ago, at 7:19 a.m., a 8.1-magnitude earthquake and its aftershocks left the Mexican capital devastated. Official counts put the death toll around 12,000, but the real number remains unknown.
The earthquake was a watershed moment for the city. A new culture of civil defense evolved, better warning systems developed, building codes changed and, since 2004, there have been held on that day.
Then, on that very same day in 2017, things changed again. Barely two hours after the annual drill, a 7.1-magnitude temblor began shaking the ground; its epicenter was so close to the capital that the warning alarms didn’t even sound.
Nearly 400 died this time and word spread in an instant on social media, but showed some lessons still hadn’t been learned, as many .
Whether the ground shakes or not, Sept. 19 , because for many there are symbols across the city that have not been forgotten.
Here are some of them:
Hotel Regis
In 1985’s predigital world, one image from the earthquake became seared into public memory: the sign of the luxurious Hotel Regis crowning the pile of rubble that the early 20th-century building — a center of political, artistic and social life – was reduced to.
Today, vendors’ stalls cover the area where its grand pillars once stood, a site dubbed Solidarity Plaza in honor of the thousands of average people who came out that day to help.
Surviving babies, collapsed hospital
A red cloud grew before the eyes of the young accounting student, Enrique Linares, now 62. “I didn’t know what it was,” he recalled. People were running down the street, doctors with white lab coats chalked with red dust. Linares looked up at the void where the 12-story tower with a red light on top should have stood. It was then that he began to shake and realized that the hospital had collapsed.
The search for survivors went on for days with soldiers controlling access to the site. After about a week, the effort was rewarded: several recently born infants were rescued alive from the rubble. They were dubbed the “miracle babies,” even inspiring a television series about them.
Screams of the seamstresses
First came the screams from the seamstresses buried under one of the capital’s collapsed textile plants, recalled Gloria Juandiego, now 65. Soon after, the screams were from people like her outside the rubble, who shouted that others were trapped inside. The soldiers did nothing, she said.
“The bosses got the equipment out, the raw materials, their safe boxes, they prioritized that,” she said. They didn’t let them tear up the salvaged clothing to make tourniquets. Then came the smell and the image of how “the bodies were tossed into trucks, even as more and more women came out to demand authorities rescue their colleagues. In the end, hundreds of seamstresses, normally holed up working 12-hour days without breaks, died.
“Our submission was buried under the rubble,” a popular sign at the time read. It was the start of the Sept. 19 seamstress union to fight for decent working conditions.
And yet, on , another earthquake trapped textile workers laboring in similar conditions with heavy machinery in a poorly constructed building. The only difference was that this time the victims were immigrants.
‘The Moles’
“We were digging with sardine cans and our hands,” recalled Francisco Camacho, now 66. In 1985, he was one of the young people looking for survivors of a collapsed apartment building on Tlatelolco Plaza, where today a sun dial marks the time of the earthquake.
A woman organized a chain of volunteers removing buckets full of debris. Children brought water. Camacho recalled the tenor Plácido Domingo, who was also helping, saying the volunteers were making holes and crawling into them “as if they were moles.”
And so a volunteer rescue group known as “Los Topos” (The moles) was born. The organization has grown from 20-some amateurs to a diverse force of some 1,200 people today. Now, a powerful symbol of Mexican solidarity, they have traveled to 32 countries to assist at times of catastrophe. They continue training every Sunday for what could happen next.
Camacho, now director of “Los Topos,” said pride in his work is matched by the indelible memory of having to place “many decomposing” bodies in the capital’s baseball stadium in 1985, an experience that left the smell of death “impregnating my nose for months.”
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