Tom Bancroft remembers the moment when the Disney magic began to wear off.
During his career at the studio, the veteran animator had helped create characters from some of Disney’s biggest ’90s hits: Mushu the dragon from “Mulan” and Simba from “The Lion King,” to name a few. He was living every aspiring animator’s dream.
‘It hit me so strongly … when kids pray from that point forward, this might be the Jesus they see in their heads.’
He also defended the company from critiques that it was indifferent or even hostile to Christianity, saying Disney simply stayed true to the story and followed it wherever it might go.
‘Uncomfortable’ truth
Then he worked on a 2000 short film called “John Henry,” a tale of U.S. slaves who endured the “peculiar institution.”
Faith, Bancroft tells Align, was “such an intrinsic part of that story,” something his storyboard animatics reflected. Disney brass disagreed.
“’This makes me feel uncomfortable,’” he recalls the president of animation saying at the time about its spiritual themes.
“It hit me like a ton of bricks,” recalls Bancroft. “I didn’t see that coming. … I’ve been telling everybody for years we were just staying true to the story … we can have Mulan pray to her ancestors because that’s what they did in ancient China in that culture.”
“Now, we come to Christianity, and you’re not comfortable. It was the first time I said, ‘There’s another side to this story,’” he said.
“I didn’t know it then, but six months later, I [would leave] Disney … I need[ed] to go use my talents and abilities for God more directly,” he says.
Seeing the ‘Light’
Bancroft went on to work on the popular “Veggie Tales” franchise, as well as shows on the Christian Broadcasting Network. He’s also written acclaimed books on animation, while co-hosting a popular animation podcast with his fellow animator — and twin brother — Tony.
Now, he’s brought his Disney skills to a 2D animated feature film that captures the life of Jesus Christ in a bold new way.
“Light of the World,” in theaters now, follows Christ’s story through the eyes of the youngest apostle, John (voiced by Benjamin Jacobson). That allows young viewers to experience Christ’s mission from a fresh, relatable perspective.
The film may not hail from the Mouse House’s iconic studio, but critics are praising both its sensitive storytelling and gorgeous animation. Bancroft was able to glean critical tips from the “nine old men,” the core Disney animators who helped bring the studio’s inimitable artistry to life.
“We get to put that emotion and that knowledge that we learned there [into the film] … they were still passing down that wisdom to people like me and my brother [in the 1980s],” he says.
Finding Jesus
Bancroft played a role in bringing beloved Disney characters to life. Bringing Jesus to the big screen offered another, far more critical challenge.
“I honestly would wake up in the middle of the night … it hit me so strongly … when kids pray from that point forward, this might be the Jesus they see in their heads,” he says, adding his team created a Jesus figure with a skin tone darker than some previous screen incarnations.
The “Light of the World” Jesus posed another problem as a storyteller.
“Thematically, as a character in a film … [Jesus] doesn’t really work. You want to have arcs to a character … he’s going to question himself, he’s going to try, and he’s going to fail, and then he’s going to succeed later … you don’t have that with Jesus,” he says. “Thankfully, we had that with John.”
Bible stories on a budget
Working with Disney gave Bancroft access to money and resources that smaller, independent films can’t match.
“We had at least 10 at-bats … we can miss a few times, maybe even nine times, and get it on the 10th at every level,” he says, meaning storyboard creation, vocal performances, and animation.
“I would do scenes over and over again until it was just right or just what the director wanted,” he says. “In an independent film, you have to get it right within the first one or two tries. You don’t get that many at-bats.”
The benefits, as he sees them, are considerable.
“You get to make the film you want to make,” he says, adding the film’s key financer, Matt McPherson, gave his team few guidelines beyond staying true to the Bible.
“I’ve never in 35 years had that freedom to make a movie,” he says. “We were off to the races and were loving every minute of it.”
Faith on the fast track
And he thinks more films like “Light of the World” are coming our way.
The faith-friendly genre has expanded in recent years, from “The Chosen” to 2024’s “Sound of Freedom.” Major streamers like Amazon Prime and Netflix have embraced spiritual stories, partly due to positive reactions from customers.
It’s show business, after all.
Another big difference, he says, is financial. Now, experienced storytellers who may have found themselves outside Hollywood’s creative bubble like Bancroft are getting back in the game on their terms.
“The money getting to the right people, honestly, has been the biggest difference. People don’t like to talk about that, but honestly, that’s how you make a change in Christian film,” he says.
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