It’s been nearly three months since Fernanda Torres was last in Brazil. Over Labor Day weekend, the Rio de Janeiro native traveled to Venice for the world premiere of I’m Still Here, her first movie since the pandemic, which reunited her with Walter Salles, director of her 1996 film Foreign Land. Coming off of rave reviews and a prize for best screenplay, I’m Still Here screened for a wider audience in Toronto, with Torres in tow. She then went down to New York for a month, where the movie made its U.S. debut—and where she got to catch up on her competition: Mike Leigh’s Hard Truths (“Marianne Jean-Baptiste? It’s unbelievable”), Pedro Almodóvar’s The Room Next Door (“Wonderful”), Jacques Audiard’s Emilia Pérez (“Zoe Saldaña: She sings. She acts. Come on. It’s almost annoying. How can you be so good at so many things?”). Finally, Torres wrapped a 25-day stint in Hollywood, presenting I’m Still Here to voters for the Oscars, Golden Globes, SAG Awards, and more.
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