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Long-running reality-television franchises — with their familiar rhythms, tensions and resolutions — can provide a wonderful way to pass the time while, say, waiting for votes to be counted.
The seventh season of “Love Is Blind” recently concluded with a pair of storybook weddings and a handful of collapsed connections. Following a stretch of public scrutiny that included lawsuits about labor conditions, it felt like an effort to underscore the show’s potential as a generator of true love.
“Survivor,” now on its 47th season, has become a show about people who have previously been obsessed with “Survivor,” creating an echo chamber regarding the strategies deployed, and narrowing the casting to a certain kind of obsessive fan-turned-player.
On this week’s Popcast, a palate-cleanse conversation about some of the year’s biggest reality-television shows, how legacy franchises develop a kind of self-awareness that can lead to change, and whether shows can ever benefit from full reboots that erase their history.
Guests:
Joe Coscarelli, The New York Times’s pop music reporter
Caryn Ganz, The New York Times’s pop music editor
The post ‘Love Is Blind’ Resets, ‘Survivor’ Stalls: A Reality TV Check-in appeared first on New York Times.
