Inside L.A. restaurant Jaragua, on a recent Friday night, Justin Alexio moved with a measured urgency from the backroom to the front of the restaurant without disturbing anyone’s dinner. The comic, producer and creator of the Los Angeles-based comedy show, Pupusas and Punchlines, Alexio escorted guests to their tables, switched on the microphones placed around the room, and pointed a camera to the center stage before the show was to begin.
The dining area inside the Salvadoran restaurant is rather quiet for a Friday night; there’s a soccer game playing on TV as a family of six places an order for dinner. As people in the audience spread their curtido, or pickled cabbage and carrots, on their pupusas, others await for their food with anticipation, while some choose to stick to drinks. The room is filled with distractions, but comedians are not fazed — it is a welcoming atmosphere, and they know that soon the sounds of laughter will fill the air.
“I feel like eating is such a large part of Latin culture and most cultures,” Alexio said. “I wanted a place where you can eat Latin food and listen to Latin jokes.”
In the wake of the COVID-19 pandemic, independent comedy shows had almost become a thing of the past in L.A. Not to mention that finding gigs is a difficult task, especially for Latinx comedians; according to Alexio, most comedy rooms don’t want to book more than one Latinx comedian.
Pupusas and Punchlines offers a place where they can perform in front of a packed room and joke about the immigrant experience in the U.S. — and the absurdities of the American dream in 2025 — while sharing a delicious meal.
Alexio said he started the show in 2023, after he took a long break from stand-up comedy, to instead pursue acting full time. His résumé includes appearances on NBC’s comedy series “Superstore” and ABC’s late-night show “Jimmy Kimmel Live!”
“The future of entertainment has to be more real,” he said of his decision to return to the stage. “Stand-up is live.”
The L.A. stand-up scene is quite competitive — especially for Alexio, who is an Afro-Latino of Puerto Rican, Dominican and Ecuadorian descent. As an answer to the marginalization of Black and brown people in mainstream comedy, Alexio said he decided to produce his own show, with hopes to highlight other Latinx performers as well.
Since then, he has expanded “Pupusas and Punchlines” immensely — from performing only once a month at half-capacity to selling out 115 consecutive weekly shows.
Alexio attributed the show’s success to the high-quality comedians he’s booked, as well as the food and the feeling of community it has created. People have told him they’ve driven more than an hour just for the show, while others have attended on multiple occasions.
“They want to support me and the show, they want to support the restaurant, they want to support the Latin comics … The crowd feels like they want to help these comics rise,” he said.
The majority of the comics Alexio books are Latinx, but he also includes performers who belong to other underrepresented groups. He showcases upcoming comics while providing clips to help grow their social media presence. After performing on his show, he said, comics have noted an uptick of new followers on social media.
Onstage at Friday’s show, comics pulled humor from topics related to immigration, religion, salsa, sexuality and other typical first-generation immigrant dilemmas. Performers feel like they can discuss topics they usually can’t perform in front of a more general club audience.
“I think any ethnicity in an ethnic crowd always thrive,” said comic Gregory Santos. “Obviously you can be a white boy and do a really good job here. I feel like it’s just an extra layer of stuff that you can talk about.”
Pupusas and Punchlines is one of the few shows that caters toward the Latinx community, said comedian Rell Battle, as he rattled off a list of shows that sadly don’t exist anymore.
“Ironically, in a majority Latin city, there aren’t [many] consistent Latin shows,” Battle said. He described Pupusas and Punchlines as a road show of sorts — scored by genuine laughter. The audience members feel more appreciative, compared to a run-of-the-mill comedy club in Hollywood that caters more to tourists.
“People that come out to shows in Hollywood will ask me to hold the camera and take a picture of them,” Battle joked.
The crowd at Pupusas and Punchlines is not one to dismiss or antagonize comics that are not Latinx. Yet audience members would gladly correct any comic who’d assume the restaurant was Mexican, or mispronounce the word “pupusas,” as Battle sheepishly recalled during his own set. At the end of the day, they usually bond with comics over what they share in common: the drive to make it in L.A.
“When the neighborhood shows up, those are the best shows,” said Santos, between sets at Jaragua. “It’s normal people, it’s everyday neighborhood L.A. people.”
For more information on upcoming events, visit Pupusas and Punchlines on Instagram.
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