At a time when most of their peers have retired, threatened to call it quits or died, the Beach Boys continue to perform 120 shows per year. Led by original singer Mike Love and longtime multi-instrumentalist Bruce Johnston, this version of the Beach Boys performs the sounds of Southern California to three generations of fans, something which isn’t lost on Love.
“The positivity that our music generates, and the good vibes and good feelings, is a wonderful thing to see,” Love says. “It’s an inspiration to me to see kids with their parents or their grandparents at our shows.”
This weekend, the Beach Boys return to Long Beach for the first time in nearly 15 years to the day, when they performed at Harry Bridges Memorial Park. As Love recalls, the band played one of its first shows in the city at the Long Beach Municipal Auditorium on New Year’s Eve 1961.
“That first concert we were paid for as the Beach Boys at the Long Beach Municipal Auditorium for the Ritchie Valens Memorial Dance,” he recalls. “We played three songs and got $300, but also on that show was Ike Turner and Kings of Rhythm. We got to hear Tina Turner sing this song called ‘I’m Blue.’ It was primordial and blew my mind.”
Thousands of shows later, the Beach Boys continue to have a receptive audience who will gladly see them perform the hits of yesteryear. Love has no issue leaning into the band’s 1960s heyday. In fact, he sees it as his duty to spread “peace and love” through the Beach Boys’ concerts.
Chatting hours before he departed his Lake Tahoe, Calif., home to fly to Southern California for the band’s latest string of shows, Love reflected on nearly 65 years of the Beach Boys, feeling like he finally got his due by being inducted into the Songwriters Hall of Fame, why he’s looking forward to the decidedly un-Beach Boys crowd at Riot Fest, and honoring his late cousin Brian Wilson.
How did it feel to be inducted into the Songwriters Hall of Fame?
Better late than never, but it was a great honor. It meant a lot because I wasn’t recognized for my contribution to so many of the Beach Boys’ hits over the years. So, the recognition is a good thing. There are various reasons I wasn’t recognized for it. My uncle [Beach Boys original manager] Murry [Wilson], didn’t put my contribution of the lyrics. “I Get Around,” “Help Me, Rhonda,” “Be True to Your School,” a lot of great songs that I wasn’t credited for. We fired my uncle as manager to get even for me, and he excluded me when he handled the publishing. We didn’t know what publishing was when we started in 1961. We were unsophisticated regarding the business end of it, and we just loved creating music. We loved harmonizing. That was a family tradition that morphed into a long-lasting profession because my cousin Brian and I got together and wrote some songs that people still love to this day.
What is it about the songs that continue to bring people together at a time when people can hardly agree on anything?
The harmonies and the positivity go a long way towards eliminating the negativity. In “Good Vibrations,” I wrote every word of it. I even came up with (sings) “I’m thinking of good vibrations / She gave me excitations” with the chorus melody as well as all the lyrics. But that was written in 1966. The Vietnam War was percolating, and there were student demonstrations. There were problems with integration, and stuff like that made the news. But I wanted to write “Good Vibrations.” I wanted to write this song. I wrote a poem about a girl who loved nature. She was only into the peace, love and flower power, which was also going on at that time. The juxtaposition of the negative and the positive is pretty amazing. It turns out there’s a psychologist in Sheffield, England, who wanted to find out which songs made people feel the best. And our song “Good Vibrations” came in at No. 1, which is unbelievable. In 1966, when it went to No. 1 in England, we were voted the No. 1 group in Great Britain, with No. 2 being the Beatles. Incredible. That was a pretty amazing achievement.
You’ve been joined on stage by the likes of Mark McGrath and Dexter Holland from the Offspring. What does that say to you about the longevity of what the songs have meant?
Dexter sounded amazing on it! He is a really good singer, obviously, but he wanted to do “Wouldn’t It Be Nice,” and so we rehearsed backstage [at Oceans Calling Festival in Maryland last September], ran through it about once or twice, and came out on stage in front of 40,000 people, and it was pretty amazing! Mark McGrath is just the most positive and fun guy ever. We have the same birthday, so he’s a few years younger than I am (laughs).
And of course, John Stamos, who inducted you into the Songwriters Hall of Fame.
He’s been with us since he was Blackie on “General Hospital.” At this point, he is pretty much an honorary Beach Boy and family.
In the days after Brian’s death, the clip of the band appearing on “Full House” made the rounds on Instagram. What’s it like to remember that when both Brian and Carl were there and you appeared on that show?
John Stamos likes to say that we need this music more than ever now because of so much negativity in the world, and I agree. When I was writing, I accentuated the positive with the harmonies, giving that warm feeling, and the subject matter being fun at times. We’d maybe been a little introspective on “God Only Knows,” maybe “In My Room,” and “The Warmth of the Sun.” The upbeat songs are all fun, positive, and make people feel good. We were just in Spain, and we had standing ovations every night. It was amazing.
What’s wild is seeing the Beach Boys appear on the historically punk festival Riot Fest. Are you familiar with it?
Yeah! We were invited to do it a year ago, but we are doing it this year. Our songs go over well with every demographic and all kinds of people. It doesn’t matter what the format of this is. We’ve done very well with some country festivals, enormously well. It doesn’t matter what the genre of the festival appeals to. We played Stagecoach last year, and there were 70 or 80,000 people at our set. Singing along and dancing around, so we had a great time at that one.
Who are you looking forward to seeing at Riot Fest?
Who is on it other than us?
On your day, it is Weezer performing the Blue Album, Jack White, a reconfigured version of the Sex Pistols, Dropkick Murphys, All Time Low, James …
Weezer! They did “California Girls” on a tribute show that aired on Easter Sunday a few years ago. There’s a lot more guitar in that particular version (laughs). Maybe one of those guys will come and sing with us. What happens at those things is that you’re with a lot of people you don’t ordinarily see, and people like to do unique things.
Do you think the Beach Boys would be considered a punk band, if that was a term, in 1961?
If you listen to some of our songs, like “Surfin’ Safari,” “Catch a Wave” and “Hawaii,” there’s a lot of tempo there. I think those songs appeal to all kinds of genres.
Does returning to Long Beach, near where you all grew up, carry more weight with the loss of Brian?
Well, we have a tribute song called “Brian’s Back” that I wrote many, many years ago. So, back when that was released (in 1976 as part of “15 Big Ones”), we did a video tribute to Brian that we play every night at our concerts, which people love and appreciate. He may have passed on, but he’s always with us every night in the music.
Do you see the Beach Boys continuing to tour in name after you and Bruce are done?
I’m not sure. We haven’t given that a whole lot of thought because we’re very active these days with this configuration. Elton John said that the “Pet Sounds” album would be the one album that would be played forever, which is an amazing accolade. So those songs are pretty much immortal to some degree. So if somebody is capable of replicating them as closely as possible for the record, then great.
But the problem is that mortality is an issue, of course. So, at some point in time, nature will take over and say, “OK, you’re out of here, huh?” But in the meantime, I think we’ve got a good several years to go.
What do people misunderstand about your and Brian’s relationship?
Well, there’s a lot of misinformation given out over this early part of our careers that says I didn’t like the “Pet Sounds” album, which is bull—, because I actually named it and Brian brought it to Capitol Records, who didn’t know what to do with it. If you listen to the tracks of “Pet Sounds,” you say, “How the heck did he ever do that with the greatest musicians in L.A., the Wrecking Crew?” My cousin Brian did some amazing stuff that’ll stand the test of time, if Elton John is right, forever. It’s a true blessing to be able to do what started as a family hobby and became a long-lasting profession.
Is “That’s Why God Made the Radio” the last Beach Boys album, or do you all have one more left in you?
Anything’s possible. We don’t have immediate plans, but I do think of that kind of thing from time to time.
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