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Louvre Staff’s Work Stoppage Shutters Museum for Hours

June 16, 2025
in News
Louvre Staff’s Work Stoppage Shutters Museum for Hours
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On Monday morning, when droves of visitors lined up to enter the Louvre Museum to see some of the world’s most revered art, like the Mona Lisa, they were met with disappointing news. The famed tourist magnet was not open, and did not open for several hours because of a “social movement” started by staff, a museum spokeswoman said.

Throughout the morning and under the blaring sun, lines of tourists snaked over the museum’s plaza and beneath the giant glass-and-steel pyramid designed by the architect I.M. Pei. But inside the museum, workers were meeting to discuss issues including workplace conditions and crowd management.

Christian Galani, a spokesman for the C.G.T.-Culture labor union, which includes workers at the Louvre, said in an interview that at the end of their monthly meeting, the staff members decided to perform a wildcat strike — an unauthorized work stoppage without a vote by union membership.

“We didn’t plan to go on strike, but the people are so exhausted, they can’t support the conditions getting worse and worse,” Galani said.

A spokeswoman for the museum said in a statement that the staff members’ actions were not a strike but a “social movement” that caused the Louvre to close for about four hours.

A strike, according to French law, has to be announced.

Galani said that in the last 15 years, some 200 jobs at the Louvre had been lost, and that despite President Emmanuel Macron of France’s promising to overhaul the museum in January, so far “nothing had changed” and the average worker was stressed.

“There are too many visitors, and the rooms are in very bad conditions,” he said. “It’s very difficult for the workers.”

The Louvre reopened at 2:30 p.m., a museum spokeswoman said. It was unclear which staff members returned to work. The museum closed at 6 p.m. and is scheduled to reopen on Wednesday morning. The museum is closed on Tuesdays.

For years, the Louvre has struggled to handle overcrowding, especially as many of its galleries were overrun by tour groups. In early 2023, management announced it would limit daily attendance by about a third, to 30,000 people. Before the coronavirus pandemic, the museum could attract as many as 45,000 people a day.

By late 2023, the museum had announced more changes, including raising its basic ticket price to 22 euros from 17 euros to help offset rising energy costs and support its free admission programs geared toward local residents.

The Louvre is home to more than 33,000 works of art including many sculptures, paintings and antiques. Among the most famous pieces is Leonardo da Vinci’s Mona Lisa. The 16th-century masterpiece’s immense popularity has burdened the Louvre with what is called the “Mona Lisa problem.” Each day, thousands of tourists jam themselves into the gallery housing the painting to catch a quick glimpse or a take a selfie, creating headaches for staff and visitors.

Macron announced in January that the Mona Lisa would move to its own exhibition space, one of several that would be installed underneath the Cour Carrée, the Louvre’s easternmost courtyard, and connected to the existing museum. The painting would be accessible separately from the rest of the museum and would require its own ticket.

The rising tensions at the Louvre came after a weekend of widespread protests in Italy, Portugal and Spain, where activists voiced frustrations over mass tourism in some European cities. In Barcelona, some demonstrators held signs reading “Tourists go home” and “Tourism is stealing from us.” The protests are part of a movement driven by concerns over quality of life, like high housing costs and environmental damage, which protest organizers say are brought on by overtourism.

Derrick Bryson Taylor is a Times reporter covering breaking news in culture and the arts.

Alex Marshall is a Times reporter covering European culture. He is based in London.

The post Louvre Staff’s Work Stoppage Shutters Museum for Hours appeared first on New York Times.

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