Can Neon extend one of the most unprecedented streaks in movies?
That’s one of the big questions heading into the presentation of the Palme d’Or on Saturday at the . The past five winners in Cannes have all been released by the indie distributor, including and eventual
On Saturday, Neon could make it six in a row, adding to its Palmes for “Parasite,” “Titane,” “Triangle of Sadness,” “Anatomy of a Fall” and “Anora.” As far-fetched as that might sound, it might even be likely.
has covered the Cannes Film Festival since 2012. He’s seen approximately 40 films at this year’s festival and reporting on what stands out.
Four of the most widely acclaimed film of the festival — Joachim Trier’s family drama Jafar Panahi’s revenge thriller Kleber Mendonça Filho’s political thriller “The Secret Agent” and — will be distributed in the U.S. by Neon.
No one knows which way the nine-member jury might vote. Their deliberations are done privately, and there are several other films seen as contenders. But critical reception is often a decent guide to what’s in the mix at Cannes.
Other films will strong support include Ukrainian filmmaker Sergei Logznitsa’s period drama “Two Prosecutors”; Richard Linklater’s New Wave ode ; and Spanish filmmaker Carla Simón’s personal coastal tale “Romeria.”
Saturday’s ceremony brings to a close a 78th Cannes Film Festival where geopolitics cast a long shadow, both on screen and off. Shortly before the French Riviera extravaganza, which is also the world’s largest movie market, U.S. President Donald Trump floated the idea of a 100% tariff on movies made overseas.
Most filmmakers responded with a shrug, calling the plan illogical. “Can you hold up the movie in customs? It doesn’t ship that way,” said Wes Anderson, who premiered his latest, at the festival.
That was one of the top American films in Cannes, along with the Christopher McQuarrie-Tom Cruise actioner and Ari Aster’s
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