“Selena y Los Dinos,” the latest documentary film about the life of Tejano music icon Selena Quintanilla, has been acquired by Netflix. The film is currently scheduled to begin streaming in winter 2025.
The movie, directed by Isabel Castro, features original VHS footage taken by Selena’s older sister, Suzette, and is interspersed with present-day interviews with family and friends.
Netflix announced its acquisition in a Tuesday press release.
“Through personal archive and intimate interviews with her family, the film reveals new dimensions of her journey that have never been seen before,” Castro shared in the release. “I am deeply grateful to her family for their trust and support throughout this journey, and I can’t wait for a global audience to experience the magic, heart and community that Selena gave to all of us.”
Suzette also shared her enthusiasm about the scope of the partnership with Netflix in the Tuesday announcement, stating, “Grateful to have a platform that helps bring Selena’s story to fans around the world.”
This is not the first time that the Quintanilla family has collaborated with the streaming giant. They worked with Netflix to help create “Selena: The Series” — a scripted retelling of Selena’s childhood, rise to fame and death starring Christian Serratos as the Texas singer.
It was after working as an executive producer on the Netflix series that Suzette consulted her lawyer about making her own documentary.
“There’s some things that you just want to hold on to and not share with everyone,” Suzette said at the documentary’s 2025 Sundance Film Festival premiere. “I was always taking the pictures, always with the camera. And look how crazy it is, that I’m sharing it with all of you so many years later.”
The documentary surfaces footage from performances in which Selena subverts the idea of the well-manicured image that the Quintanilla family has constantly put out of the singer in the 30 years since her death. It also captures, in real time, the evolution of a bold new identity growing among Latino youth in the 1980s, encapsulated in Los Dinos’ cultural hybridity.
The film was awarded with a special jury prize for archival storytelling at the renowned movie gathering at Sundance. The jury made note of how the feature “transported us to a specific time and place, evoking themes of family, heritage, love and adolescence.”
So badly were people clamoring to view the movie that the organizers of Sundance pulled it from its online platform. The film had fallen victim to a number of copyright infringements as eager fans were uploading clips from it to social media platforms. This was the first time that Sundance had removed a feature during the festival.
De Los assistant editor Suzy Exposito and Times staff writer Mark Olsen contributed to this report.
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