“Julie Keeps Quiet” ignores the usual movie playbook on post-trauma drama with its unusually internal portrait of a teenage tennis player, Julie. After her ex-coach is suspended under murky circumstances, she prefers not to share details of his behavior. But her feelings in the aftermath run deep, and this Belgian film’s virtue lies in its fidelity to her path and her pace.
Her life is rooted in the routine and repetition of training and school among (supportive) peers, whether serve-and-volleys or German class. She evades questions from administrators and friends about Jeremy (Laurent Caron), her former instructor, even though he still calls her with doom-laden pep talks. You wonder when the story, written by the director, Leonardo van Dijl, and Ruth Becquart (who plays Julie’s mother), will tip her into a spiral.
Instead, her low-key confidence as a player — her biggest smile in the film comes with success on the court — slowly manifests in her growing resolve and clarity in addressing the Jeremy situation. She recalibrates with a new coach, Backie (Pierre Gervais), and takes breathers with her dog. (The tennis star Naomi Osaka lends her imprimatur as an executive producer.)
Tessa Van den Broeck, a newcomer, plays Julie with zero affectation. She seems plucked from a high school roll call, or maybe from a film by Jean-Pierre and Luc Dardenne, whose company co-produced this one. Nicolas Karakatsanis’s twilit 35-millimeter cinematography mirrors her character’s preoccupied state, echoed by Caroline Shaw’s cracked-lullaby score. It’s a film that maintains that Julie’s story is available only when she’s ready to tell it.
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