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Welcome to The Daily’s culture edition, in which one Atlantic writer or editor reveals what’s keeping them entertained. Today’s special guest is Shayla Love, a staff writer who has written about how sobriety became a tool of self-optimization, the ways invisible habits are driving our lives, and how RFK Jr. is seducing America with wellness.
Shayla’s recommendations include a 1967 British television series that starts out like The Good Place, a “Page Six–esque thriller” about the Sigmund Freud Archives, and an “eclipse-viewing” experience that takes place entirely indoors.
The Culture Survey: Shayla Love
The television show I’m most enjoying right now: The 1967 British television series The Prisoner starts out remarkably similar to The Good Place: A person wakes up in an idyllic town that caters to their every need and also torments them. But in The Prisoner, Patrick McGoohan, the show’s creator and star, isn’t dead; he’s a retired British intelligence agent called Number 6 who refuses to submit to the will of the “Village.” He is put through a series of surreal and futuristic tests by a rotating cast of characters named Number 2 while trying not to be killed by a murderous white bouncing ball. A perfect low-stakes, high-octane episodic mystery. And who is Number 1?
A painting, sculpture, or other piece of visual art that I cherish: The best eclipse I saw last year was not the solar eclipse in April but the Instant Eclipse at Novelty Automation in London. For a few coins, you shut yourself inside a broom-closet-size box, look up, and experience an automated eclipse—no path of totality required. It was made in 1999 by Tim Hunkin, an engineer and artist who created dozens of strange and ingenious arcade machines. When I crammed into the contraption with my boyfriend, we heard audio of a noisy crowd that abruptly silenced when the “sun” vanished. We were surprised by how much wonder we felt as the artificial sky lit up with stars. [Related: The most dazzling eclipse in the universe]
Best novel I’ve recently read, and the best work of nonfiction: In the Freud Archives is Janet Malcolm at her best. She turns academic drama into a Page Six–esque thriller that you won’t be able to put down. And just when you think the ride is over, there’s a stunning afterword in the NYRB edition that takes you through the messy aftermath of her reporting.
Three Summers by Margarita Liberaki is my fiction pick. Read this book if you have sisters, if you’ve ever been crushed by a crush, if you have authority problems, or if you feel overwhelmed by a family’s capacity for secrets.
The last museum or gallery show that I loved: To see Pink Mist (Space Division) by James Turrell, you have to wait. You walk into a completely dark room, hands outstretched, blindly searching for a bench. You sit, feeling lost, staring into pitch black. Then, it appears: a pinkish-red rectangle hovering in front of you. The shape doesn’t move or change colors, but it’s a successful optical trick; it changes you. Once your eyes have adjusted, you can’t unsee it. All of the pieces in the Turrell retrospective at the Massachusetts Museum of Contemporary Art toy with both your perception and your patience.
Something I recently revisited: I rewatched the entire Canadian sci-fi series Orphan Black with my boyfriend, who had never seen it before. I realized how much this show is a part of my DNA—biomedical patents, an utopian island, longevity, nature versus nurture. Tatiana Maslany plays a handful of characters you’ll be convinced are different people by the end. [Related: The slow creep of uncanny television]
A favorite story I’ve read in The Atlantic: “The Nitrous Oxide Philosopher,” written in 1996 by Dmitri Tymoczko. I’ve returned to this piece dozens of times. The psychologist William James’s interest in altered states of consciousness through nitrous oxide is well known, yet this piece chronicles the lesser-known story of the rogue autodidact philosopher and mystic Benjamin Paul Blood, who inspired James. An Atlantic classic that is still relevant when thinking about drugs and their role in meaning-making or religious belief.
A poem, or line of poetry, that I return to: Robert Hass’s translations of three great Japanese haiku poets: Matsuo Bashō, Yosa Buson, and Kobayashi Issa. Hass has so few words to work with, and he picks exactly the right ones.
Like his verb choice in this Bashō haiku:
A bee
staggers out
of the peony.
Or how he preserves the humor and lightness of Issa:
Even with insects—
some can sing,
some can’t.
Two more, the first from Bashō, the next from Issa, to celebrate the end and start of a year:
What fish feel,
birds feel, I don’t know—
the year ending.
New Year’s Day—
everything is in blossom!
I feel about average.
Here are three new stories from The Atlantic:
Today’s News
- During a tour of North Carolina to survey the damage of Hurricane Helene, President Donald Trump described plans to overhaul or eliminate FEMA. He proposed an alternative scenario in which the federal government pays “a percentage to the state” to aid in disaster response.
- Hundreds of undocumented immigrants, including those who have been convicted of crimes, were flown out of the country last night on military aircraft, according to the White House.
- The Senate plans to vote later this evening on whether to confirm Pete Hegseth as defense secretary.
Dispatches
- Atlantic Intelligence: Earlier this week, Trump unveiled perhaps the most ambitious infrastructure project in history—and all but dedicated it to Sam Altman, Matteo Wong writes.
- The Books Briefing: Boris Kachka suggests what to read in the face of disaster.
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Evening Read
January 6ers Got Out of Prison—And Came to My Neighborhood
By Hanna Rosin
On Monday, Stewart Rhodes, the eye-patched founder of the far-right militia known as the Oath Keepers, was in prison, which is where he has been since he was convicted of seditious conspiracy for his role in the January 6 attack on the U.S. Capitol. By Tuesday afternoon, he was taking a nap at my neighbors’ house.
More From The Atlantic
- Who will stop the militias now?
- Eric Adams’s totally predictable MAGA turn
- What the fires revealed about Los Angeles culture
Culture Break
Debate. Have we been thinking about loneliness all wrong? Americans may not feel any more desolate than they did in the past, Faith Hill writes.
Watch. Hard Truths (out now in theaters) takes an astonishingly sensitive approach in telling the story of difficult people, Shirley Li writes.
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