When Amichai Lau-Lavie was ordained a rabbi, in 2016, he joined a family tradition that had been going on uninterrupted since the 11th century. And yet this had been a fraught process for Lau-Lavie, an Israel-born gay man who just a few years before entering New York’s Jewish Theological Seminary had been a pillar of a “God-optional” community. How he went from the Radical Faeries’ joyous, transgressive vision of queerness — which led to creating his drag alter ego, Rebbetzin Hadassah Gross — to embracing Conservative Judaism is the subject of Sandi DuBowski’s fascinating look at the act of questioning yourself and your family, your surroundings and your decisions.
Shortly after completing his acclaimed documentary “Trembling Before G-d” (2001), about gay and lesbian Orthodox Jews, DuBowski started filming Lau-Lavie. He kept at it for the next 21 years, which gives “Sabbath Queen” the rare opportunity to capture its subject in flight, so to speak.
Yes, Lau-Lavie reflects on his family’s history during World War II, as well as key points from his own past, like being outed in his 20s. But we also watch him talk about many events, like becoming a father or cofounding the aforementioned experimental Lab/Shul initiative, while he is still in the middle of experiencing them, rather than speaking with the benefit of hindsight.
After Lau-Lavie makes a big decision that goes against his recent commitment to the Conservative movement, it becomes obvious that his restlessness has not abated, and his questing days may never be over. He understands all too well that life is just not that neat.
The post ‘Sabbath Queen’ Review: Capturing the Act of Questioning appeared first on New York Times.
