Taylor Swift will soon hit the road for the final leg of her Eras Tour, but before that, she stopped by Kansas City’s Arrowhead Stadium Monday night to watch Travis Kelce and the Chiefs stomp the New Orleans Saints in a 26-13 victory.
But more importantly, she wore a lot of body glitter, a sparkle-encrusted manicure, and head-to-toe Vivienne Westwood to do so. Swift opted for a coordinated draped corset and mini-length asymmetrical kilt in a beige and grey tartan punctuated with thin red lines throughout, from the label’s Autumn/Winter 24/25 collection, showcasing a mile and a half of thigh between the hemline and the tops of her black leather knee-high platform Grace boots, also from the fashion house.
Her makeup—oversized freckles, courtesy of heavily applied body glitter across Swift’s nose and cheekbones—wasn’t the only thing providing some sparkle: She wore embellished drop earrings by Vivienne Westwood, a Cartier necklace, multiple diamond bracelets, a ruby heart-shaped ring, a chevron-shaped diamond and ruby ring, and a gold Shahla Karimi ring set with a pear-shaped diamond. A high ponytail and a red lip finished off the look.
In a clip posted to Instagram Stories by Chariah Gordon, a fellow Chiefs WAG who is engaged to wide receiver Mecole Hardman Jr., a giddy Swift celebrated post-game in one of the stadium’s VIP suites.
“How do you feel after this win?” Gordon asked Swift, playing the role of reporter. But Swift turned it around on her: “No, it’s important that you answer the question this time,” she said, draping her arm over Gordon’s shoulders and laughing.
“I feel that we feel really good after this win, we’re five-and-oh,” Gordon replied, referring to the team’s so-far-undefeated regular season record.
“Going in to a bye week!” Swift added, showing off her football chops, a reminder that she’s no longer a rookie in the NFL world.
“Going into a bye week, it is perfect,” Gordon said.
“Perfect is the word!” Swift replied.
“Chiefs win, and, yeah, we’re doing the goddamn thing!” Gordon added, before Swift noticed what, exactly, was behind the two: An Eras Tour poster. It’s a nice little Easter egg in Swelce lore, as it was Swift’s tour stop at Arrowhead that inspired Kelce to shoot his shot with the singer in a manner that Swift has described as “metal as hell.” Monday night, though, the poster made for a funny punchline.
“Sorry for photobombing myself,” Swift said, laughing.
More Great Stories From Vanity Fair
The Biggest Moments From the 2024 VP Debate
Wicked Stars Cynthia Erivo and Ariana Grande on Love, Defying Rumors, and Flying High
Where Does the Olivia Nuzzi–RFK Jr. Fallout End?
Ina Garten Talks Trad Wives and Her Marriage Confession—but Don’t Ask Her About Trump
Ta-Nehisi Coates Investigates the School Book Ban on Between the World and Me
Our 50 Favorite Saturday Night Live Sketches
The Menendez Brothers’ Murder-Trial Circus Sideshow
Cheryl Hines Is Married to RFK Jr.: How’s Your Year Going?
The Greystone Mansion Murders of 1929: Mr. Plunkett, in the Study, With the Gun?
Hollywood’s Biggest Donald Trump Endorsement Might Be From a Failed DC Superhero
Get True Colors, an Art-World Digest From Nate Freeman, Straight to Your Inbox
The post Taylor Swift Is Plaid to Be Back In Kansas City Watching Travis Kelce Win appeared first on Vanity Fair.