Ever heard of a Räuchermann — or in its diminutive form, the Räuchermännchen? The “smoking man” is a wooden figurine that serves as an incense burner. It’s just one of the many traditional Christmas decorations from the Erzgebirge, or Ore Mountains, a Saxony border region renowned for folk art in the form of wooden angels, Christmas pyramids and candle arches known as Schwibbogen.
But the fact that no one ever came up with a proper English translation for the little smoking man suggests it isn’t yet one of the region’s famous international exports — unlike its direct cousin, another wooden figure traditionally made in the Ore Mountains: the nutcracker.
A German-French-Russian-American story
The nutcracker gained international recognition thanks to its various cultural representations, and the fact that authors from different countries borrowed from the original tale. International copyright agreements didn’t exist when an initial version of the little toy figure’s story was written by German Romantic author E. T. A. Hoffmann in 1816, titled “The Nutcracker and the Mouse King.”
It was adapted by French writer Alexandre Dumas in 1844. The plot of “Histoire d’un casse-noisette” (simply called the “The Nutcraker” in English) was nearly identical — but the French version wasn’t nearly as dark as the German one.
In any case, Dumas’ adaptation served as the basis for the 1892 Russian ballet choreographed by Marius Petipa and Lev Ivanov, with music composed by Pyotr Illyich Tchaikovsky.
The first complete performance of the ballet only reached England in 1934, and it was staged for the first time in the US during the Christmas of 1944 by the San Francisco Ballet company.
It was such a hit there that it has been staged during the holiday season ever since. With hundreds of productions every year, the ballet is now a firmly entrenched Christmas ritual for thousands of families in the US — and throughout the world.
From Saxony to the world
Friedrich Wilhelm Füchtner, the Ore Mountain carver who came up with the first “mass produced” model of a nutcracker in 1870, obviously didn’t know that the character would one day become the star of an international ballet classic. He actually had another version of the story in mind when he created his figurine, one written by the creator of “Der Struwwelpeter” (Shaggy Peter), Heinrich Hoffmann, in 1851.
The German figurine found its way into homes around the world much later. One woodcarving company from the Ore Mountains, Steinbach, had to relocate to Hanover after World War II, where many American soldiers were stationed nearby. The soldiers started to bring back nutcracker dolls for their families as typical souvenirs from Germany.
Another reason to visit the Ore Mountains
The collectible figures continue to attract visitors to the eastern German region renowned for its wooden folk art.
Along with the area’s different workshops, the Nussknackermuseum in Neuhausen, the “first nutcracker museum in Europe,” is another recommended stop. It not only retains the record for the largest nutcracker collection in the world; it also hosts different events throughout the year beyond its exhibition, such as an annual nutcracker collectors’ convention.
Asked why the nutcracker became so closely associated with Christmas, the museum’s owner Uwe Löschner provided a down-to-earth explanation that’s typical of the pragmatism of the people of the region: “During Christmas time, poor people used their nuts when they would bake their traditional Stollen (fruit bread) and cookies; and nutcrackers were used to crack those nuts,” he told DW.
Even when celebrating Christmas under pandemic conditions, you don’t have to take time-off from the nutcracker. While the world-famous German Christmas markets were canceled in 2020 due to the coronavirus pandemic, and are now only taking place in 2021 under certain conditions, you can always crack nuts in a small circle at home.
Nevertheless, the figure is more than a just a good-looking tool. Its symbolism continues to be shared across generations and countries thanks to the fairy tale that contributed to its international fame — a universal story of hope and of triumph of good over evil.
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