Following its departure from the controversially renamed “Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts,” the Washington National Opera has experienced a surge in donations from pleased supporters. According to the Washington Post, the opera company ended its 70-year relationship with the cultural institution due to drastic declining ticket sales and donor dissatisfaction with the Trump administration’s takeover, which had alienated both artists and audiences. Francesca Zambello, the opera’s artistic director, explained the rationale: “In the coming years, as we explore new venues and new ways of performing, WNO remains committed to its mission and artistic vision.” The Washington National Opera has relocated to Lisner Auditorium at George Washington University, a smaller 1,500-seat venue. The separation from the Kennedy Center has prompted renewed financial support from donors. The Post reports, “The company reported an uptick in financial support, saying it received donations from more than 500 donors in the 72 hours after announcing its departure from the Kennedy Center on Jan. 9.” Singer Ryan McKinny, scheduled to perform as John Proctor in an upcoming production of “The Crucible,” endorsed the move: “I wouldn’t perform there in the current circumstance and every artist I have spoken to has expressed similar feelings.” McKinny drew parallels between the opera’s plot and current events: “The Crucible is about leaders who persecute anyone who doesn’t toe the line, and what happens when someone chooses to stand up for the truth. I expect audiences will find something that resonates today.”
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