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Bari Weiss shakes up ‘60 Minutes’ with a new executive producer; Cecilia Vega and Sharyn Alfonsi exit

May 28, 2026
in News
Bari Weiss shakes up ‘60 Minutes’ with a new executive producer; Cecilia Vega and Sharyn Alfonsi exit

The venerable news magazine “60 Minutes” is undergoing a major overhaul under CBS News Editor in Chief Bari Weiss, who hired a new executive producer and ousted two correspondents.

Weiss announced Thursday the appointment of a new executive producer to replace Tanya Simon, a 26-year veteran of the program who took over the top job in July. She will be replaced by Nick Bilton, a former New York Times technology columnist and documentary filmmaker.

Weiss also fired “60 Minutes” correspondents Sharyn Alfonsi, who clashed with her boss over a segment on President Trump’s immigration policies, and Cecilia Vega, who joined the program in 2023.

Bilton will be the first executive producer in the 58-year history of “60 Minutes” to come from outside the tightly-knit organization. The program has only had four leaders in its history — Don Hewitt, Jeff Fager, Bill Owens and Simon — all of whom came up through the ranks of CBS News.

Weiss is said to have developed a solid relationship with Simon, whose late father Bob Simon was a highly respected correspondent for the program. But the connection apparently deteriorated after Weiss did not receive advance notice of Anderson Cooper’s sign-off from the program, ending his nearly 20-year run as a correspondent.

Cooper, who is also a full-time anchor at CNN, turned down a new “60 Minutes” deal from Weiss. During his final appearance, he expressed fears about the editorial independence of the program.

“Things can always evolve and change, and I think that’s awesome, and things should evolve and change, but I hope the core of what ’60 Minutes’ is always remains,” Anderson told viewers. “I think the independence of ’60 Minutes’ has been critical.”

Speculation over changes at “60 Minutes,” the most-watched news program on television for 52 consecutive years, have been swirling for months since Paramount Chief Executive David Ellison installed Weiss to oversee editorial content at CBS News.

The program has been in turmoil since Oct. 2024 when President Trump filed a $20 billion lawsuit against CBS over an interview conducted with then Vice President Kamala Harris that was settled to clear the regulatory path for Skydance Media’s acquisition of Paramount.

But from a business standpoint, “60 Minutes” is a curious target for a revamp. The program is one of the most profitable hours on the CBS prime time schedule while retaining its status as television’s most prestigious journalism operation. While the ratings for “60 Minutes” get a boost from a lead-in from high-rated NFL late afternoon games, it remains one of the few network shows that viewers make an appointment to watch.

The segment that doomed Alfonsi, “Inside CECOT,” detailed the Trump administration’s treatment of hundreds of Venezuelan migrants who were deported to an El Salvador prison known for its harsh conditions. The segment was scheduled to run Dec. 21 but was pulled the day before air by Weiss, who believed it needed more reporting, including a direct response from the administration, which did not participate.

Alfonsi, the “60 Minutes” correspondent who worked for months on the piece, protested the move by Weiss, calling it politically motivated in an email she sent to colleagues.

The story eventually ran on Jan. 18 without any substantial changes to its tone or reporting. Weiss acknowledged internally that pulling the segment after it had already been promoted was a mistake.

But Alfonsi said publicly that she fully expected to be let go from the program. Her contract ended with the recently concluded TV season.

Alfonsi first joined as a correspondent by CBS News in 2002. She left for ABC News in 2008 but returned to CBS in 2013 and joined the flagship edition of “60 Minutes” in 2015.

The post Bari Weiss shakes up ‘60 Minutes’ with a new executive producer; Cecilia Vega and Sharyn Alfonsi exit appeared first on Los Angeles Times.

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