On a Monday afternoon this winter, 64-year-old historian James Millward climbed the steps of the Smithsonian National Portrait Gallery with a “little stack of handouts, like a good professor,” and no sense of the drama that was about to unfold.
He had heard that when the museum swapped out the president’s portrait in January, it also removed a placard mentioning Donald Trump’s impeachments and the Jan. 6 insurrection. For Millward, a scholar of Chinese history, well-versed in the censorial methods of that country’s Communist Party, the development stirred a familiar feeling: unease at seeing “history being snipped and clipped and disappeared.”
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