New York — Keke Palmer can make Jack Whitehall blush.
We’re sitting in the green room at the 92nd Street Y on the Upper East Side of Manhattan, just before Palmer is set to host a live edition of her podcast, “Baby, This Is Keke Palmer,” with Whitehall and their other co-stars from the Peacock series “The ‘Burbs,” premiering Sunday.
In the show, Palmer and Whitehall play Samira and Rob, new parents who move back to Rob’s hometown of Hinkley Hills, a beautiful suburb where Samira immediately suspects something is amiss.
Palmer has kicked off her high heels and tucked her feet under her on the couch where she sits next to Whitehall as I ask them about their chemistry read.
“He was making me — not just me, everybody — laugh,” she remembers. “It was like, yeah, I can see how you fall in love with this guy because he’s just so funny and he’s so sweet. It’s so true, Jack. Seriously.”
Whitehall’s face turns red, which I point out. He admits that’s the case through giggles. Palmer interjects, “He knows how I feel. That’s my boo.”
“The ‘Burbs” reimagines the 1989 Joe Dante movie starring Tom Hanks for a modern era. In the original, Hanks’ character is driven to madness, imagining that his neighbors in the creepy house across the street might be murderers.
Developed by Celeste Hughey, this version puts Palmer’s Samira, a lawyer on maternity leave, at the center. Though initially ill at ease among the carefully manicured lawns, she develops a fast friendship with a group of gossipy wine guzzlers on her block (played by Julia Duffy, Paula Pell and Mark Proksch). When a creepy man (Justin Kirk) moves into the dilapidated Victorian mansion across the street, she starts to wonder whether it has something to do with the disappearance of a teenage girl years ago. And then she starts to ponder how Rob might be involved. Is it a case of paranoia thanks to new motherhood? Or is there something really amiss in this paradise?
Initially, Brian Grazer of Imagine Entertainment, which made the original, and Seth MacFarlane’s Fuzzy Door Productions had teamed up to do a new film version of “The ‘Burbs.” During the COVID-19 pandemic, MacFarlane thought that the title might make sense for the “dark, humorous, creepy vibes of our shared fear inside our own communities,” Fuzzy Door president and show executive producer Erica Huggins explains in a phone interview. After it was reconceived as a series, they reached out to Hughey.
“When I thought about it for a modern take, I really wanted to center an outsider,” Hughey says, adding, “I grew up in Boston, a very white suburb, as a mixed kid; I wanted to center it on a Black woman who has a new baby, a new husband, in a new neighborhood kind of unwillingly and seeing it through her eyes.”
Palmer was always who Hughey wanted to play Samira, and Grazer had the same idea.
“She’s so versatile,” Grazer says, adding she could be “really funny and really pretty and she could be the average person. Like, you could live through her and that’s a big thing. What was so great about Tom Hanks is you could live through him.”
It turns out the timing was perfect. Palmer wasn’t all that familiar with the 1989 version, but she identified with Hughey’s vision, especially given that her son, Leo, was around 1 year old at the time.
“Thinking about playing a mom and now being a mom and also being able to use horror and comedy to play with the realities of what it feels like to be a new mom all felt very exciting to me,” she says.
Once Palmer signed on, Hughey and her team needed to find someone to match her infectious energy. Hughey says she imagined Rob as a “fully supportive partner” whose childhood guilt is putting a wedge in their marriage. She and her collaborators landed on Whitehall, a British stand-up comedian who has had stints in blockbusters like 2021’s “Jungle Cruise.”
Whitehall flew into Atlanta from the U.K. to meet Palmer, who was shooting the upcoming Boots Riley film “I Love Boosters.” He tells me he has had bad experiences coming to the U.S. to read with potential co-stars before, but Palmer immediately put him at ease.
“I think I’m just genuinely curious, trying to get to know him, because at the end of the day we’re going to be together every single day and we’re going to be making out and kissing and hugging,” she says. “We gotta be married. Is this my Desi? Am I his Lucy?”
Whitehall also understood the nuances of the part because he had a young child as well. His daughter Elsie is now 2 and a half. (Leo is about to turn 3 when we speak.)
“So many elements of the script were really relatable, with the character of Rob and the slight guilt that he has that he’s going back to work and his wife is feeling trapped and wanting to be a protector and to be helpful, but then also not not quite knowing where his place is and how he can be sort of useful and caring,” Whitehall says.
For Palmer, portraying Samira’s unease wasn’t just about highlighting the disconnect between her and Rob, it was also about portraying the specific fears of living in a postpartum state.
“You’re always kind of having this anxiety,” she says. “And I don’t want to say it’s disproportionate, but to a certain degree it is. You’re constantly filtering out, is this real danger? You are kind of constantly gaslighting yourself.”
Throughout the eight-episode season, which ends on a major cliffhanger, “The ‘Burbs” is always trying to make its audience question what is really going on. That specifically relates to Rob, who is keeping a lot of secrets that may or may not be nefarious. It’s an aspect of the character that attracted Whitehall, though he notes, “I think at one point in this series the finger is pointed at literally every single member of our cast.”
“The ‘Burbs” sets out to subvert expectations, and that also applies to the way it deals with Samira’s race.
“It was really important to me that we didn’t make it a cliché,” says Palmer, who is also an executive producer. “It’s expected that we play up the ‘Get Out’ aspect. So I think it was about not being untrue to that reality and how that plays a role in the story but to talk about the bigger thing where it’s really just about being a fish out of water.”
Samira finds a true community among the other neighborhood oddballs, which is true to Palmer’s experience of growing up in Robbins, Ill., outside of Chicago. Whitehall, meanwhile, says he grew up in the “British equivalent of Hinkley Hills” in a town called Putney, on the outskirts of London.
“It was just full of very proper people, but very judgmental, and there were secrets on the street,” he says. “There was scandal as well.”
During our interview it’s clear that Palmer and Whitehall have an easy rapport. They go on tangents about Palmer introducing Whitehall to the 1997 film “Soul Food,” which Whitehall proceeded to reference on set. Palmer grabs Whitehall in exuberance as they speak. While they have different styles of deliveries, their senses of humor are the same, according to Palmer. And they figured out how to make everything click in the show.
“I think we found our timing together and we let each other have our moments,” Palmer says. “Like very telepathic. Like, ‘Time for the bit.’ We can feel each other’s pacing. I guess we just really work well together.”
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