“One Battle After Another” and “Sinners” led all film nominees for the Motion Picture Sound Editors’ Golden Reel Awards, the MPSE announced on Monday morning. Both movies received three nominations: Sound Editing – Feature Dialogue/ADR; Sound Editing – Feature Effects/Foley and Music Editing – Feature Motion Picture.
Meanwhile, “Frankenstein,” “F1,” “KPop Demon Hunters” and the feature documentaries “Becoming Led Zeppelin” and “It’s Never Over, Jeff Buckley” all scored two nods apiece.
The Outstanding Achievement in Sound Editing – Feature Effects/Foley category is the Golden Reel category that most closely corresponds to the Academy Award for Best Sound. Its nominees are “Anemone,” “F1,” “Frankenstein,” “One Battle After Another” and “Sinners.”
Films that found a spot on the Oscars shortlist for sound but did not make the cut for a Golden Reel nomination are “Avatar: Fire and Ash,” “Springsteen: Deliver Me From Nowhere” and “Superman.”
On the TV side, Netflix’s “Stranger Things” led the pack with three nominations, followed by “Andor,” “The Bear,” “The Last of Us,” “Love, Death + Robots,” “Only Murders in the Building,” “The Studio,” “Severance” and “The Beatles: Anthology” with two each.
Winners will be announced at the 73rd annual MPSE Golden Reel Awards on Sunday, March 8, in Los Angeles. At the ceremony, Kathleen Kennedy will receive the MPSE Filmmaker Award and supervising sound editor Mark Mangini will collect the Career Achievement Award.
The Cinema Audio Society, which also celebrates achievement in the field of sound, will announced its nominees for the 62nd CAS Awards on Jan. 20.
73rd MPSE Golden Reel Awards Nominations
Outstanding Achievement in Sound Editing – Broadcast Animation
“A Breath Before Dying” Netflix Supervising Sound Editor: Rob McIntyre MPSE Sound Designers: Evan Dockter, Cat Gensler, Lawrence Reyes
“Love, Death + Robots”: “400 Boys” Netflix Supervising Sound Editor: Brad North MPSE Sound Effects Editors: Craig Henighan MPSE, Matt “Smokey” Cloud MPSE Foley Editors: Matt Manselle, Lyndsey Schenk MPSE Foley Artist: Brian Straub MPSE
“Marvel Zombies”: Episode 1 Disney+ Supervising Sound Editor: Jonathan Greber Supervising Foley Editor: Jeremy Molod Sound Designer: Krysten Mate Sound Effects Editors: Jonathon Stevens, Jamey Scott MPSE
“Rick and Morty”: “Summer of All Fears” Cartoon Network Supervising Sound Editor: Hunter Curra MPSE Sound Effects Editor: Corbin Bumeter Dialogue Editors: James A. Moore, Ricardo Watson, Lee Harting
“Star Wars: Tales of the Underworld”: “Friends” Disney+ Supervising Sound Editors: David W. Collins, Matthew Wood Supervising ADR Editor: Matthew Wood Supervising Foley Editor: Frank Rinella Sound Designers: David W. Collins, Michael Brinkman, Bill Rudolph Sound Effects Editors: Kevin Bolen MPSE, Michael Brinkman, Bill Rudolph Dialogue Editors: Angela Ang, Chris Cirino, Bobby Garza, Kevin Hart, Carlos Sotolongo
Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
“Adolescence”: Episode 2 Netflix Supervising Sound Editor: James Drake ADR Editor: Emma Butt Dialogue Editor: Michelle Woods
“The Pitt”: “7:00PM” HBOMax Supervising Sound Editor: Bryan Parker MPSE Dialogue Editor: Kristen Hirlinger MPSE ADR Editor: Vince Tennant MPSE
“Severance”: “Cold Harbor” Apple TV+ Supervising Sound Editor: Jacob Ribicoff MPSE Supervising Dialogue/ADR Editor: Gregg Swiatlowski
“Stranger Things: Chapter Four”: “Sorcerer” Netflix Supervising Sound Editors: Craig Henighan MPSE, Will Files MPSE Dialogue/ADR Supervisor: Ryan Cole MPSE Dialogue Editors: Polly McKinnon, Korey Pereira MPSE, Graham Terry, Emma Present MPSE
“Task”: “Vagrants” HBOMax Supervising Sound Editor: Lidia Tamplenizza Dialogue Editor: Michael McMenomy ADR Editor: Mar Heredia
Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
“Andor”: “Who Are You?” Disney+ Supervising Sound Editors: David Acord, Margit Pfeiffer Supervising ADR Editor: Margit Pfeiffer Sound Designer: David Acord Sound Effects Editor: Josh Gold Dialogue Editor: James Spencer Foley Editor: Alyssa Nevarez Foley Artists: Ronni Brown MPSE, Sean England MPSE
“Alien Earth”: “Neverland” FX Supervising Sound Editors: Lee Gilmore MPSE, Brad North MPSE Supervising Foley Editor: Beso Kacharava MPSE Sound Designers: Nolan McNaughton MPSE, Justin Davey MPSE, Chris Terhune MPSE, Craig Henighan MPSE Sound Effects Editors: Tim Walston MPSE, Matt “Smokey” Cloud MPSE, Albert Romero Foley Editors: Alexander Sanikidz, Rati Chkhetiani, Levan Tserediani
“The Last of Us”: “Through the Valley” HBOMax Supervising Sound Editor: Michael J. Benavente MPSE Supervising Foley Editor: Randy Wilson Sound Designers: Christopher Battaglia MPSE, Chris Terhune MPSE Sound Effects Editors: Mitchell Lestner, Jacob Flack MPSE, Odin Benitez Dialogue Editor: Joe Schiff Foley Editors: Justin Helle, Ron Mellegers Foley Artists: Stefan Fraticelli, Brandon Bak, Jason Charbonneau, Biko Gogaladze
“Pluribus”: “Pirate Lady” Apple TV+ Supervising Sound Editor: Nick Forshager MPSE Sound Designer: Todd Toon MPSE Foley Editor: Jeff Cranford Foley Artists: Jason Charbonnaeu, Stefan Fraticelli
“Stranger Things”: Chapter Four: “Sorcerer” Netflix Supervising Sound Editors: Will Files MPSE, Craig Henighan MPSE Sound Effects Editors: Angelo Palazzo MPSE, David Grimaldi MPSE, Katie Halliday, Nolan McNaughton MPSE, Christopher Bonis, Nicholas Interlandi, Steve Neal MPSE, Matt “Smokey” Cloud MPSE Foley Editors: Gina Wark, Peter Persaud Foley Artist: Steve Baine
Outstanding Achievement in Sound Editing – Broadcast Short Form
“The Bear”: “Scallop” FX Supervising Sound Editor: Steve “Major” Giammaria MPSE Sound Effects Editors: Jonathan Fuhrer, Matt Snedocer ADR Editor: John Bowen Foley Artists: Leslie Bloome MPSE, Shaun Brennan
“Murderbot”: “All Systems Red” Apple TV+ Supervising Sound Editor: Tyler Whitham MPSE Supervising ADR Editor: Danielle McBride MPSE Sound Effects Editor: Craig MacLellan Dialogue Editor: Ève Corrêa-Guedes Foley Artist: John Elliot
“Only Murders in the Building”: “LESTR” Hulu Supervising Sound Editors: Danika Wikke MPSE, Mathew Waters Sound Effects Editor: Brad Katona MPSE Dialogue Editor: Brian Dunlop Foley Editor: Sanaa Kelley MPSE Foley Artists: Iris Dutour, Sanaa Kelley MPSE
“Side Quest”: “Fugue” Apple TV+ Supervising Sound Editor: Matthew E. Taylor MPSE Sound Effects Editors: Pete Nicholas, Charlie Campagna Dialogue Editor: Sean Hessinger MPSE Foley Editors: John Sanacore MPSE, Nathan Nadell Foley Artist: Rick Owens MPSE
“The Studio”: “The Golden Globes”” Apple TV+ Supervising Sound Editor: George Haddad MPSE Foley Supervisor: Randy Wilson Sound Effects Editor: Lloyd Stuart Martin Dialogue Editor: Borja Sau Foley Editor: Justin Helle
Outstanding Achievement in Sound Editing – Feature Animation
“Bad Guys 2” DreamWorks Animation Supervising Sound Editors: Ken McGill, Julian Slater MPSE Supervising Foley Editor: Paul Pirola Sound Effects Editor: Cathryn Wang MPSE
“Elio” Disney Pixar Supervising Sound Editor: Jeremy Bowker Supervising Dialogue Editor: Cheryl Nardi Supervising Foley Editor: Jordan Myers Sound Designer: Jeremy Bowker Sound Effects Editors: Steve Bissinger, Jessey Drake MPSE, Richard Gould, Joel Raabe MPSE Foley Artists: Ronni Brown MPSE, Jana Vance
“Kpop Demon Hunters” Netflix Supervising Sound Editor: Michael Babcock MPSE Supervising Dialogue Editor: Branden Spencer Sound Designers: Michael Babcock MPSE, Chris Diebold, Jeff Sawyer, Trevor Gates, Katie Halliday Sound Effects Editors: Goeun Lee Everett MPSE, Russell Topal MPSE Foley Editors: Ian Herzon, Beso Kacharava MPSE
“Zootopia 2” Walt Disney Animation Studios Supervising Sound Editor: Jeremy Bowker Supervising Dialogue Editor: Brad Semenoff MPSE Supervising Music Editors: Stephen M. Davis, Earl Ghaffari Sound Designer: Jeremy Bowker Sound Effects Editors: Luke Dunn Gielmuda, Joel Raabe MPSE, Kimberly Patrick, Cameron Barker Dialogue Editors: Jacob Riehle, Angela Ang Senior Music Editor: Kendall Demarest Foley Editor: Jordan Myers Foley Artists: Ronni Brown MPSE, Sean England MPSE
Outstanding Achievement in Sound Editing – Feature Documentary
“Becoming Led Zeppelin” Sony Pictures Supervising Sound Editor: Nick Bergh Sound Designers: Bernard MacMahon, Dan Gitlin Sound Effects Editors: Nick Bergh, Dan Gitlin Dialogue Editors: Dan Gitlin, Nick Bergh
“Deaf President Now!” Apple Original Films Supervising Sound Editors: Eilam Hoffman, Nina Hartstone MPSE, Jacob Bloomfeld-Misrach MPSE Foley Supervisor: Adam Méndez Sound Designers: Samir Foco, Eilam Hoffman, Nina Hartstone MPSE, Michael Harte, Tom Sayers MPSE Sound Editor: Adam Armitage Dialogue Editor: Greg Francis Foley Editor: Rob Davidson Foley Artist: Oli Ferris
“I Was Born This Way” Jungefilm Supervising Sound Editor: Leslie Gaston-Bird MPSE Sound Editors: Lauren Cooper, Lora Cornes
“It’s Never Over, Jeff Buckley” HBOMax Supervising Sound Editor: Lewis Goldstein MPSE Sound Effects Editor: Alexis Soto
“Viktor” Netflix Supervising Sound Editor: Peter Albrechtsen MPSE Sound Designers: Heikki Kossi MPSE, Peter Albrechtsen MPSE, Nicolas Becker Sound Effects Editor: Mikkel Nielsen Dialogue Editor: Kristoffer Salting
Outstanding Achievement in Sound Editing – Feature International
“Belén” Amazon Prime Supervising Sound Editor: Leandro de Loredo Sound Effects Editor: Tomás Ramos Dialogue Editor: Lucía Biscayart Foley Artists: Gabriel Santamaria, Florencia Velardita
“Dong Ji Rescue” Seventh Art Pictures Supervising Sound Editor: Kang Fu MPSE Sound Effects Editor: Steve Miller Music Editor: Fei Yu Foley Editor: Tie Zheng Wang
“Sirât” NEON Supervising Sound Editor: Laia Casanovas Sound Effects Editors: Oriol Donat i Martos, Claudi Dosta Ivanow Dialogue Editor: Irene Rausell Foley Artist: Miguel Barbosa
“Sound of Falling” MUBI Supervising Sound Editor: Billie Mind Sound Designers: Jürgen Scholz, Billie Mind Dialogue Editor: Sebastian Heyser Foley Editor: Thomas Köhler Foley Artist: Maximiliane Pongratz
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
“Bugonia” Focus Features Supervising Sound Editor: Johnnie Burn MPSE Dialogue Editor: Neil Leachman
“F1” Apple Original Films Supervising Sound Editors: Al Nelson MPSE, Gwendolyn Yates Whittle MPSE Supervising Dialogue Editor: Chris Gridley Dialogue Editor: Ryan Cota
“Frankenstein” Netflix Supervising Sound Editor: Nelson Ferreira MPSE Dialogue Editors: Stephen Barden MPSE, Dustin Harris MPSE, Danielle McBride MPSE, Jill Purdy MPSE
“One Battle After Another” Warner Bros. Supervising Sound Editor: Christopher Scarabosio Dialogue Editor: Richard Quinn
“Sinners” Warner Bros. Supervising Sound Editor: Benjamin A. Burtt Supervising Dialogue Editor: David V. Butler MPSE Dialogue Editor: Jason W. Freeman MPSE ADR Editor: David V. Butler MPSE
Outstanding Achievement in Sound Editing – Feature Effects / Foley
“Anemone” Focus Features Supervising Sound Editor: Steve Fanagan MPSE Sound Designer: Steve Fanagan MPSE Foley Editor: James Tebbitt Foley Artist: Caoimhe Doyle
“F1” Apple Original Films Supervising Sound Editors: Al Nelson MPSE, Gwendolyn Yates Whittle MPSE Foley Supervisor: Thom Brennan Sound Effects Editors: Benjamin A. Burtt, Kim B. Christensen, Luke Dunn Gielmuda, Scott Guitteau Foley Artists: Sean England MPSE, Heikki Kossi MPSE, Shelley Roden MPSE
“Frankenstein” Netflix Supervising Sound Editor: Nathan Robitaille MPSE Sound Designer: Nathan Robitaille MPSE Sound Effects Editors: Paul Germann MPSE, Scott Hitchon MPSE, Craig MacLellan, Dashen Naidoo Foley Editor: Chelsea Body Foley Artists: Goro Koyama, Sandra Fox MPSE
“One Battle After Another” Warner Bros. Supervising Sound Editor: Christopher Scarabosio Sound Designer: Christopher Scarabosio Sound Effects Editors: Justin Doyle, Jeremy Molod Foley Artists: Steve Hammond, Goro Koyama
“Sinners” Warner Bros. Supervising Sound Editor: Benny Burtt Supervising Foley Editor: Willard Overstreet MPSE Sound Designer: Steve Boeddeker Sound Effects Editor: David Hughes Foley Artists: Alyson Dee Moore, Katie Rose
Outstanding Achievement in Sound Editing – Non-Theatrical Animation
“Diary of a Wimpy Kid”: “The Last Straw” Disney+ Supervising Sound Editor: Tess Fournier MPSE Sound Effects Editors: Katie Jackson MPSE, Tim Vindigni MPSE, Vivian Williams MPSE Dialogue Editor: Logan Romjue MPSE Foley Editor: Nathan Yamaguchi
“Invincible”: “I Thought You’d Never Shut Up” Amazon Prime Supervising Sound Editor: Brad Meyer MPSE Sound Effects Editors: Natalia Saavedra Brychcy MPSE, Katie Jackson MPSE, Noah Kowalski, Jayson Niner MPSE, Mia Perfetti Dialogue Editor: Logan Romjue MPSE Foley Artist: Carol Ma MPSE
“Predator”: “Killer of Killers” Disney+ Supervising Sound Editors: Chris Terhune MPSE, Will Files MPSE Supervising Dialogue Editor: Jessie Anne Spence MPSE Sound Designers: Justin Davey MPSE, Lee Gilmore MPSE, James Miller MPSE Sound Editors: Matt “Smokey” Cloud MPSE, Luis Galdames MPSE, Nolan McNaughton MPSE, Steve Neal MPSE, Matt Yocum MPSE Dialogue Editors: Julie Diaz MPSE, Ailene Roberts MPSE Foley Editors: Kailyn Jenkins, Jacob McNaughton, Samuel Munoz, Nick Neutra Foley Artists: Noel Vought, Adam Decoster
“Transformers: EarthSpark”: “Legacy of Hope” Paramount+ Supervising Sound Editor: Brad Meyer MPSE Sound Effects Editors: Natalia Saavedra Brychcy MPSE, Jacob Cook MPSE, Brad Meyer MPSE, Kyle Stockbridge, Vivian Williams MPSE Dialogue Editors: Christine Gamache, Michael Wessner MPSE Foley Editors: Tim Vindigni MPSE, Nathan Yamaguchi
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
“100 Foot Wave” HBOMax Supervising Sound Editor: Keith Hodne Sound Designers: Kevin Senzaki MPSE, Eric Di Stefano Sound Effects Editors: Eli Akselrod, Mika Anami Dialogue Editor: Max Holland
“The Beatles Anthology: Episode 9” Disney+ Supervising Sound Editors: Alexis Feodoroff, Emile de la Rey, Tim Chaproniere Sound Designer: Al Sirkett MPSE
“Billy Joel: And So It Goes: Part One” HBOMax Supervising Sound Editor: Gregg Swiatlowski Sound Effects Editor: Tim Obzud
“John Candy: I Like Me” Amazon Prime Supervising Sound Editor: Jonathan Greber Sound Effects Editor: Christopher Lafaye
“Love + War” National Geographic Supervising Sound Editor: Deborah Wallach Sound Effects Editor: Nick Caramela Dialogue Editor: Matt Rigby Foley Editor: Chris White Foley Artists: Leslie Bloome MPSE, Shaun Brennan
Outstanding Achievement in Sound Editing – Non-theatrical Feature
“Beast of War” Bronte Pictures Supervising Sound Editor: Sam Gain-Emery Supervising Dialogue Editor: Hayden Riley Supervising Foley Editor: Steve Burgess Sound Designer: Lachlan Harris MPSE Sound Effects Editors: Jennifer Leonforte, Kiah Roache-Turner Dialogue Editor: Tom Herdman Foley Artist: Dylan Burgess
“The Gorge” Apple TV+ Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE, Paul Hackner MPSE Dialogue / ADR Supervisors: Stephanie Brown MPSE, David V. Butler MPSE Supervising Foley Editors: Jonathan Klein, Roni Pillischer Sound Designers: David Farmer MPSE, Dane A. Davis MPSE, Bill R. Dean MPSE, Frederic Dubois MPSE, Darren Maynard MPSE Sound Effects Editors: Christopher Battaglia MPSE, Javier Bennassar, Goeun Lee Everett MPSE, Jon Greasley MPSE, Jason W. Jennings MPSE, Nolan McNaughton MPSE Dialogue Editors: James Morioka MPSE, Kira Roessler Music Editor: Sally Boldt Foley Editor: Chris White Foley Artists: Leslie Bloome MPSE, Shaun Brennan, Curtis Henderson
“The Hand That Rocks the Cradle” Hulu Supervising Sound Editor: Lee Gilmore MPSE Supervising Dialogue Editor: Polly McKinnon Supervising Foley Editor: Beso Kacharava MPSE Sound Designer: Justin Davey MPSE Sound Effects Editors: Nolan McNaughton MPSE, Matt “Smokey” Cloud MPSE Dialogue Editor: Ryan Cole MPSE Foley Editors: Dachi Abesalashvili, Alexander Sanikidze Foley Artists: Tornike Dzidzikashvili, Biko Gogaladze
“Star Trek: Section 31” Paramount+ Supervising Sound Editor: Matthew E. Taylor MPSE Sound Designer: Michael Schapiro MPSE Sound Effects Editors: Alex Pugh MPSE, Kip Smedley, Andrew Twite Dialogue Editor: Austin Olivia Kendrick ADR Editor: Sebastian Sheehan Visconti MPSE Foley Editor: Darrin Mann, Clay Weber MPSE Foley Artist: Alyson Dee Moore, Katie Rose
Outstanding Achievement in Music Editing – Broadcast Long Form
“Andor: “What a Festive Evening”” Disney+ Music Editor: Ian Broucek
“Étoile: “The Hiccup”” Amazon Prime Music Editor: John Finklea
“The Last of Us: “Through the Valley”” HBOMax Lead Music Editor: Maarten Hofmeijer MPSE
“Severance: “Cold Harbor”” Apple TV+ Music Editors: Lina Glikson, Scott Hanau
“Stranger Things: Chapter Four: “Sorcerer”” Netflix Music Editors: Evyen Klean, David Klotz
Outstanding Achievement in Music Editing – Broadcast Short Form
“The Bear: “Soubise”” FX Music Editors: Jeff Lingle, Jason Lingle
“Love, Death + Robots: “400 Boys”” Netflix Music Editor: Jeff Charbonneau
“Only Murders in the Building: “The House Always…”” Hulu Music Editor: Micha Liberman MPSE
“The Studio: “The War”” Apple TV+ Music Editor: Lorena Perez Batista
“Wolf King: “The Rise of the Wolf”” Netflix Lead Music Editor: Thomas Haines Music Editor: Steve Bond
Outstanding Achievement in Music Editing – Documentary
“The Beatles Anthology: Episode 9” Disney+ Supervising Music Editors: Tim Chaproniere, Emile de la Rey, Alexis Feodoroff Music Editors: Tyrone Frost, Claudia Holmstead-Morris, Hunter Jackson
“Becoming Led Zeppelin” Sony Pictures Music Editors: Nick Bergh, Dan Gitlin, Bernard MacMahon
“Billy Joel: And So It Goes: Part 1” HBOMax Supervising Music Editor: Shari Johanson Music Editor: Debora Lilavois
“It’s Never Over, Jeff Buckley” HBOMax Music Editor: Michael Brake MPSE
“Stans” Paramount PIctures Music Editor: Julie Glaze Houlihan
Outstanding Achievement in Music Editing – Feature Motion Picture
“Kpop Demon Hunters” Sony Pictures Animation Music Editor: Oren Yaacoby
“Mission Impossible: The Final Reckoning” Paramount Pictures Supervising Music Editor: Cécile Tournesac Music Editor: Timeri Duplat
“One Battle After Another” Warner Bros. Music Editor: Graeme Stewart
“Sinners” Warner Bros. Music Editor: Felipe Pacheco
“Wicked: For Good” Warner Bros. Supervising Music Editors: Catherine Wilson, Jack Dolman Supervising Vocal Editor: Robin Baynton
Outstanding Achievement in Sound Editing – Game Dialogue / ADR
“Battlefield 6” Electronic Arts Senior Audio Directors: Mari Saastamoinen Minto, Jeff Wilson Audio Director – Voice : Rob Gardner Sound Supervisor: Glen Gathard Dialogue Editorial Supervisor: Eric Marks MPSE Supervising Dialogue Editor: Paul Fonarev Audio Programmers: Sean Wilson, Clément Visseq, Olle Persson, Adam Philp, Axel Szelag, Gavin Rouse, Ryan Salt Lead Voice Designers: Patrick Biason, Nick Friedemann Senior Voice Designers: Chong Aik Ming, Oscar Myrland Senior Voice Over Designer: Jim Shacklock Voice Designers: Priscilla Achampong, Chris Chan, Jeff Quinn, Alvaro Vela Technical Voice Designers: Ernesto Cantillo, Aryo Nazaradeh Dialogue Editors: Feri Gutierrez, Kimmy Bohlin Keelyn, Daniel Khim MPSE, Matt Klimek MPSE
“Death Stranding 2: On the Beach” Sony Interactive Entertainment Supervising Dialogue Editor: Justin Scott Wilson MPSE Dialogue Designers: Masashi Takada, Briana Villarreal Dialogue Editor: Dominic Roocroft
“Ghost of Yōtei” Sony Interactive Entertainment Audio Director: Brad Meyer MPSE Supervising Dialogue Editors: Jareth Turner, Duncan Gillies Dialogue Designers: Dale Curtis, Benjamin Gendron-Smith, Rory Given, Robert Kubicki, Kevin McClelland, David Pierre, Heather Plunkard, Dedrick Sarzaba, Ryan Schaad MPSE, HuiYun Tay Audio QAs: Brianna Wing, Jeric Chapman
“Mafia, The Old Country” Hangar 13 Audio Lead: Andrej Smoljan Audio Director: Matt Bauer MPSE Supervising Dialogue Editor: Erik Schmall Technical Sound Designer: Brian Ploof Senior Audio Artist: Josh Holloway, Petr Klimunda, Pavel Smely
Outstanding Achievement in Music Editing – Game Music
“Borderlands 4” Gearbox Software Lead Technical Sound Designer: Jesse Lemons Lead Audio Programmer: Bob Dudasik Managing Director of Audio: Mark Petty Associate Director of Music: Julian Peterson Expert Music Designer: Christian Pacaud Music Designer: Joshua Michael Carro Music Editor: Casey Di Iorio
“Call of Duty: Black Ops 7” Treyarch and Raven Software Audio Director: Jeremiah Sypult, Brian Tuey MPSE Music Editors: Collin Ayers MPSE, Andy Bayless, Darren Blondin, Shaun Chen MPSE, Scott Eckert MPSE, Jacob Harley MPSE, Alex Hemlock, Jim Lordeman, James McCawley, Louie Schultz, Kevin Sherwood
“Death Stranding 2: On the Beach” Sony Interactive Entertainment Lead Sound Programmer: Kotaro Mori Lead Music Designer: Monty Mudd Supervising Music Designer: Andrew Buresh Music Designers: Tao-Ping Chen, Sonia Coronado, Kye Cree-Voce, Robert Goodson, Bradley Gurwin, Collin Lewis, Nick Mastroianni, Seira Ishimura McCarthy, Laryssa Okada, Jin Qin MPSE, Kelvin Yuen Music Implementor: Yuji Yamagishi
“Ghost of Yōtei” Sony Interactive Entertainment Supervising Music Editors: Andrew Buresh, Sonia Coronado, Ted Kocher, Scott Shoemaker Music Directors: Peter Scaturro, Keith Leary Music Editors: Andrew Karboski, Yuen Man Chung Kelvin, Monty Mudd, Udit Srivathsan
Outstanding Achievement in Sound Editing – Game Effects / Foley
“Battlefield 6” Electronic Arts Senior Audio Director: Mari Saastamoinen Minto Audio Directors: Tom Hite, Nate Iske, David Jegutidse Lead Sound Designers: Jean Xu, Danijel Djuric, Mikael Grolander, Rasmus Thorup, Warren Post Lead Technical Sound Designers: Oskar Eriksson, Gaëtan Lourmiere, Braeger Moore, Olivier Paschal, Goncalo Lopes Tavares Audio Programmers: Jeff Ballard, Adam Philp, Gavin Rouse, Ryan Salt, Sean Wilson, Clément Visseq, Axel Szelag Senior Technical Sound Designers: Nikola Lukić, Max McCoy Senior Sound Designers: Chris Burt, Drew Elder, Jack Sandall, Tom Wright, Alexis Marzin Sound Designers: Tomas Bancroft, Briana Billups, Yanni Caldas, Mike Clarke, Will Dunn, Arvid Lundin, Rodrigo Ruiz Morales, Adam Viger, Dave Vitas, Bryan O. Watkins MPSE, Frédérik White, Heedo Woo, Felix Norton-Barsalou Technical Sound Designers: Albin Jansson, Aryo Nazaradeh, Thomas Parrish
“Death Stranding 2: On the Beach” Sony Interactive Entertainment Lead Technical Sound Designer: Hiroyuki Nakayama Lead Sound Programmer: Kotaro Mori Sound Design Leads: Derrick Espino, Noburo Masuda, Alex Previty MPSE, Andres Herrera Sound Design Supervisors: Glen Gathard, Emile Mika, Stephen Schappler, Erick Ocampo Senior Sound Designers: Maria Rascon, Ash Read, Pete Reed, Aaron Sanchez, Satsuki Sato, Robert Castro MPSE, Danny Hey, Juuso Tolonen, Nick Tomassetti, Lorenzo Valsassina, TJ Schauer, Tsubasa Ito, Chris Kokkinos MPSE Sound Designers: Emiliyan Arnaudov, Danny Barboza MPSE, Edward Durcan, Goeun Lee Everett MPSE, David Goll, Rebecca Heathcote MPSE, Jason W. Jennings MPSE, Kei Matsuo MPSE, Federico Modanese, Chris Norrish, Daniel Ramos MPSE, Brad Reese, Charlie Ritter MPSE, Taiga Teshima, Minoru Tsuchihashi, Tim Walston MPSE, Yuji Yamagishi Sound Editors: Nat Allam, Florian Titus Ardelean, Jamey Scott MPSE, Tom Holmes Senior Foley Artists: Joanna Fang MPSE, Blake Collins MPSE Foley Editors: Austin Creek, Nick Seaman
“Dispatch” AdHoc Studios Technical Sound Designer: Diego Hodge Sound Designer: Ranger Norton, Paul Ruskay Sound Editors: Lazar Levine, Nick Mastroianni, Greg Sabitz Audio Artist: Khayyam Mirza Editors: Zack Winlaw, Zack Alves
“Ghost of Yōtei” Sony Interactive Entertainment Audio Director: Brad Meyer MPSE Supervising Sound Editors: Byron Bullock, Adam Lidbetter Audio Programmers: Apoorva Bansal, Krish Ragaratnam Sound Designers: Safar Bake, Jack Bell, Erik Buensuceso, Sam Day, Bob Kellough MPSE, Josh Lord MPSE, Mattwo Lupieri, David Philipp, Lorenzo Piani, Pete Reed, Flávia Taconi, Chris Walasek Technical Sound Designer: Grey Davenport Sound Effects Editor: Pete Hanson MPSE Sound Implementers: Chris Bolte, Jessie Chang, Jasper Corcoran Senior Foley Editors: Blake Collins MPSE, Joanna Fang MPSE Audio QAs: Jeric Chapman, Brianna Wing
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
“Carb Pot” Beijing Film Academy Supervising Sound Editors: Chang Xuying, Ling Mei
“Damned” Savannah College of Art and Design Supervising Sound Editor: James Michael Slukhinsky
“Dancing Spiders Play Jazz in Nooks” University of Michigan Supervising Sound Editors: Renata Schmult
“A Darker Place: Cases from the DCA” Chapman University Supervising Sound Editor: Evan Nowack
“El Corazón” National Film & Television School Supervising Sound Editor: Will Henley
“Moksha” The Netherlands Film Academy Supervising Sound Editors: Faas Brester, Jan Verburg
“Oneiros” National Film & Television School Supervising Sound Editor: Jingman Anita Xu
“They Made You Into a Weapon and Told You to Find Peace” National Film & Television School Supervising Sound Editor: Levi Giger
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