“The Killer’s Game” begins with an atypical boy-meets-girl scenario. The high-end assassin Joe Flood, played by the bullet-headed Dave Bautista, spies his future love, the modern dancer Maize (Sofia Boutella), as he interrupts one of her performances in an ornate hall in Budapest. The interruption is a violent one: He shoots one of the spectators, and while Joe has the discretion to use a silencer, his prey’s bodyguards get a little loud. In the ensuing melee, Joe winds up in possession of Maize’s cellphone.
On returning it, Maize offers Joe a dinner for his troubles. Here we learn that Joe, while brazen and prolific in the art of homicide, is a little awkward with the ladies. As he and Maize become a match, there’s trouble in paradise.
Joe is plagued by headaches, and on learning that he has an incurable condition, he asks his own people — the colorful, loosely affiliated union of assassins — to take him out. (He receives his assignments, and his money, from his wise old handler, who is played by Ben Kingsley.)
J.J. Perry (“Day Shift”), a stunt performer and coordinator who’s worked on the “John Wick” franchise, directs this rom-com action movie, whose conceits borrow from the “Wick” franchise rather heavily.
While those conceits work well enough in movies starring Keanu Reeves, here they fall flat. The action choreography is better than passable, although Perry adds grindhouse-movie levels of gore and dismemberment in a dubious effort to up the thrill quotient.
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